Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
वेदबीजस्वरूपां च ध्यायेद्वेदप्रसूं सतीम् । ध्यात्वैवं मण्डले विद्वान् त्रिकोणोज्ज्वलकर्णिके ॥ ११६ ॥
vedabījasvarūpāṃ ca dhyāyedvedaprasūṃ satīm | dhyātvaivaṃ maṇḍale vidvān trikoṇojjvalakarṇike || 116 ||
Hendaknya sang bijak bermeditasi pada Ibu Ilahi yang suci, yang berwujud benih Veda dan melahirkan Veda. Setelah demikian bermeditasi, ia membayangkan Beliau di dalam maṇḍala, pada inti yang bercahaya berbentuk segitiga.
Sanatkumara (teaching Narada in a Veda-anga/technical meditation context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a precise contemplative method: meditating on the Veda’s “seed” as a divine source (Veda-prasū) and then fixing awareness in the maṇḍala’s luminous triangular center, symbolizing concentrated knowledge and creative power.
Bhakti appears here as reverential meditation on the sacred source of revelation—approaching Vedic knowledge not merely as text, but as a living divine presence worthy of focused remembrance (dhyāna) and inner worship.
It highlights mantra-yoga/ritual-visualization technique: using a maṇḍala (yantra-like diagram) and concentrating on its trikoṇa (triangle) karṇikā as the locus for dhyāna—an applied, technical discipline aligned with Vedic ritual science.