The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
नानाशिल्पकलाभिज्ञां कृष्णभोगानुरूपिणीम् । तत्सेवनसुखाह्लादभावेनातिसुनिर्वृताम् ॥ ३१ ॥
nānāśilpakalābhijñāṃ kṛṣṇabhogānurūpiṇīm | tatsevanasukhāhlādabhāvenātisunirvṛtām || 31 ||
Ia mahir dalam beragam seni dan keterampilan, serasi bagi kenikmatan Sri Krishna, dan amat tenteram karena hatinya meluap oleh sukacita dalam kebahagiaan melayani-Nya.
Narada (teaching in dialogue context within the Narada Purana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents seva (loving service) as a complete spiritual fulfillment: true contentment arises from delighting in Krishna’s service rather than from self-centered pleasure.
Bhakti is shown as attentive, fitting service—offering one’s abilities and refined conduct in a mood of joyful dedication to Krishna.
While not naming a specific Vedanga, it implies the disciplined cultivation of kalā/śilpa (technical arts) and proper conduct—skills that support refined ritual culture and devotional service.