The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
रक्तास्थिमज्जासु तनौ न्यसेद्वर्णान्विचक्षणः । वर्णान्पदे गुल्फजानुकटिनाभिहृदि स्थले ॥ २४ ॥
raktāsthimajjāsu tanau nyasedvarṇānvicakṣaṇaḥ | varṇānpade gulphajānukaṭinābhihṛdi sthale || 24 ||
Seorang sādhaka yang arif hendaknya menempatkan aksara-aksara suci pada tubuh—bahkan pada darah, tulang, dan sumsum; dan menempatkannya pada kaki, pergelangan, lutut, pinggul, pusar, serta di daerah jantung॥ 24 ॥
Sanatkumara (teaching Narada in a Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalizing mantra-power by ritually “installing” sacred phonemes in the body, turning the practitioner’s body into a consecrated support for japa and meditation.
Though technical, nyāsa supports bhakti by making mantra-recitation steady and embodied—so remembrance of the chosen deity can be sustained with greater purity and focus.
Śikṣā and mantra-vidhi are implied: the verse treats varṇas (phonemes) as potent units and instructs their systematic placement (nyāsa) at specific bodily points for ritual efficacy.