The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
नृसिंहसान्निध्यकरो न्यासो दशविधो यथा । कराङ्घ्र्यष्टाद्यङ्गुलीषु पृथगाद्यन्तपर्वणोः ॥ २० ॥
nṛsiṃhasānnidhyakaro nyāso daśavidho yathā | karāṅghryaṣṭādyaṅgulīṣu pṛthagādyantaparvaṇoḥ || 20 ||
Nyāsa yang menghadirkan kedekatan suci Śrī Nṛsiṁha adalah sepuluh macam menurut śāstra; dilakukan terpisah pada delapan jari tangan dan kaki, pada ruas pertama dan ruas terakhirnya॥ 20 ॥
Sanatkumara (teaching Narada the technical procedure of nyāsa)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that nyāsa is not merely a physical gesture but a disciplined mantra-installation meant to invoke the living presence (sānnidhya) of Lord Nṛsiṁha in the practitioner’s body and awareness.
By prescribing a precise devotional ritual (nyāsa) directed to Nṛsiṁha, it frames bhakti as embodied remembrance—bringing the Lord near through reverent, rule-based mantra practice.
It highlights ritual-technical procedure—systematic nyāsa placement on specific body points (fingers and joints), reflecting the Narada Purana’s Book 1.3 focus on applied sacred sciences and correct ritual method.