The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अस्त्रतारोऽच्युतास्त्रं च तारो वाचा सुदेव फट् । तारमायामूर्तेः फट् वः कामः स्वरादिमः ॥ १९६ ॥
astratāro'cyutāstraṃ ca tāro vācā sudeva phaṭ | tāramāyāmūrteḥ phaṭ vaḥ kāmaḥ svarādimaḥ || 196 ||
Suku kata “tāra” bila digabung dengan mantra-senjata Acyuta menjadi mantra peluru (astra). Bila digabung dengan wicara menjadi “Sudeva phaṭ”. Bila digabung dengan wujud Māyā menjadi “(tāra)… phaṭ”. Dan “vaḥ” disebut sebagai Kāma yang bermula dengan vokal.
Sanatkumara (teaching Narada in a technical mantra-vidya/Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It explains a technical principle of mantra-vidyā: how the primordial syllable “tāra” (oṃ) is combined with specific deity-forms and functional particles like “phaṭ” to produce protective or forceful ritual applications centered on Acyuta (Viṣṇu).
Even in a technical Vedāṅga-style passage, the verse anchors efficacy in Viṣṇu as Acyuta—showing that ritual power and protection are framed as dependent on devotionally invoking the Lord’s names/forms rather than mere sound mechanics.
It highlights mantra-formation through phonetic/linguistic components—use of bīja-like syllables (tāra, vaḥ), the vowel-series (svara), and functional ritual exclamations (phaṭ), reflecting Śikṣā/Vyākaraṇa-informed mantra construction used in Narada Purana rituals.