The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
देवतास्य रदार्णस्य दिव्यपूर्वो नृकेसरी । पादैश्चतुर्भिः सर्वेण पञ्चाङ्गानि समाचरेत् ॥ १४७ ॥
devatāsya radārṇasya divyapūrvo nṛkesarī | pādaiścaturbhiḥ sarveṇa pañcāṅgāni samācaret || 147 ||
Dewa penguasa bagi gugus suku kata “radārṇa” adalah Nṛkeśarī (Nṛsiṃha) yang didahului suku kata ilahi. Dengan keempat pāda mantra secara utuh, hendaknya dilakukan tata cara pañcāṅga menurut aturan.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links a specific syllable/phoneme-group (radārṇa) to its presiding deity (Nṛsiṃha) and teaches that mantra-power is activated through complete, properly structured practice—using all four pādas and the full five-limbed ritual method.
By identifying Nṛsiṃha as the mantra’s devatā and insisting on complete performance, the verse frames bhakti as disciplined worship—devotion expressed through precise mantra-recitation and ritual observance focused on the chosen deity.
It reflects Vedāṅga-style technical ritual knowledge: mantra segmentation into pādas (quarters) and the application of a pañcāṅga procedure (five ritual components), consistent with śikṣā/ritual methodology used to ensure correct recitation and deployment of mantras.