Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
एकविंशतिकोष्ठेषु चक्रमारं च भूमिजम् । त्रिकोणेषु च सम्पूज्य बहिरष्टौ च मातृकाः ॥ ९४ ॥
ekaviṃśatikoṣṭheṣu cakramāraṃ ca bhūmijam | trikoṇeṣu ca sampūjya bahiraṣṭau ca mātṛkāḥ || 94 ||
Dalam dua puluh satu petak, hendaknya menempatkan Cakramāra dan Bhūmija (Bhoma/Maṅgala). Setelah memuja dengan sempurna pada bagian-bagian segitiga, hendaknya ia juga memuja delapan Mātr̥kā di sisi luar॥94॥
Narada (as transmitter of technical-ritual procedure, within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that spiritual power is invoked through ordered worship—specific placements in a mandala (compartments, triangles, and outer enclosure) reflect disciplined alignment of energies and deities, culminating in protection and completeness through the eight Mātr̥kās.
Bhakti here appears as precise, reverent service: the devotee honors each deity in its proper locus of the sacred diagram, showing attentive devotion expressed through ritual correctness and wholehearted worship (sampūjya).
It highlights ritual-technical procedure—mandala/yantra construction and deity-placement rules (a practical application aligned with Kalpa-style ritual methodology used in Purāṇic technical sections).