Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
भूनेत्र चन्द्रनेत्राग्निनेत्रार्णैः स्यात्षडंगकम् । शुक्लांबरालेपभूषं करेण ददतं धनम् ॥ १३७ ॥
bhūnetra candranetrāgninetrārṇaiḥ syātṣaḍaṃgakam | śuklāṃbarālepabhūṣaṃ kareṇa dadataṃ dhanam || 137 ||
Dengan suku bunyi ‘bhū’, ‘netra’, ‘candra’, ‘netra’, ‘agni’, dan ‘netra’, terbentuklah rumusan ṣaḍaṅga (enam anggota). Renungkan devatā sebagai berbusana putih, berlumur wewangian dan berhias, serta dengan satu tangan menganugerahkan kekayaan.
Sanatkumara (teaching Narada in the Vedanga-oriented section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It links mantra-structure (ṣaḍaṅga—six-part formulation/nyāsa) with a precise meditative visualization, showing that correct sound-patterns and correct contemplation together support ritual efficacy and inner focus.
Bhakti here is expressed as upāsanā: devotion through disciplined remembrance—visualizing the deity in pure white attire and as a giver of prosperity, while anchoring the mind in a structured mantra.
It reflects technical mantra-application used in ritual practice—how syllables are organized into a ṣaḍaṅga (six-limbed) scheme, a method closely aligned with Vedanga-style procedural precision (mantra-prayoga/nyāsa).