Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
षड्दीर्घाढ्येन बीजेन यं च बीजादिना पुनः । षङंगानि न्यसेदस्य जातियुक्तानि मंत्रवित् ॥ ७ ॥
ṣaḍdīrghāḍhyena bījena yaṃ ca bījādinā punaḥ | ṣaṅaṃgāni nyasedasya jātiyuktāni maṃtravit || 7 ||
Seorang ahli mantra hendaknya melakukan nyāsa enam anggota dengan bīja yang diperkaya enam vokal panjang, lalu mengulanginya dengan bīja yang diawali “yaṃ”. Demikian ia menempatkan keenam aṅga beserta jāti-nya masing-masing sesuai tata cara.
Narada (teaching technical ritual procedure within Vedanga-oriented material)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that mantra-power is activated through disciplined ritual placement (nyāsa) and correct phonetic form, aligning the practitioner’s body and speech with the mantra’s sacred structure.
It supports devotion by prescribing precise ritual methods that help a devotee internalize the deity/mantra through bodily installation, making worship focused, reverent, and steady.
It highlights Śikṣā (phonetics/recitation) and mantra-vidhi: correct vowel-length (dīrgha), seed-syllables (bīja), and structured ṣaḍaṅga-nyāsa as practical ritual-grammar.