Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
तारदृन्मध्यगैर्मंत्रवर्णैश्चंद्रविभूषितैः । कृत्वा षडंगमन्त्रार्णान्भ्रूमध्ये च गले हृदि ॥ ६६ ॥
tāradṛnmadhyagairmaṃtravarṇaiścaṃdravibhūṣitaiḥ | kṛtvā ṣaḍaṃgamantrārṇānbhrūmadhye ca gale hṛdi || 66 ||
Dengan suku-suku mantra yang berada di tengah (antara ‘tāra’ dan ‘dṛt’) serta dihiasi unsur candra, lakukan nyāsa ṣaḍaṅga atas aksara-aksara mantra itu—menempatkannya di antara alis, di tenggorokan, dan di hati.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalized worship through nyāsa—sanctifying key psycho-spiritual centers (brow, throat, heart) by installing mantra-syllables so the practitioner’s body becomes a fit seat for contemplation and japa.
By directing the devotee to place sacred sound within the heart and other centers, it frames bhakti as an inward, continuous remembrance where mantra becomes the medium of intimate communion with the worshipped deity.
Śikṣā (Vedic phonetics) and mantra-vidyā are implied: precise handling of mantra-varṇas (syllables) and their ritual deployment (ṣaḍaṅga-nyāsa) as a technical discipline.