Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
अमुकार्ध्यामृतायेति हृन्मनुश्चार्ध्यपूजने । तत्र षोडशसंख्याका यजेञ्चंद्रमसः कलाः ॥ १७ ॥
amukārdhyāmṛtāyeti hṛnmanuścārdhyapūjane | tatra ṣoḍaśasaṃkhyākā yajeñcaṃdramasaḥ kalāḥ || 17 ||
Dalam pemujaan arghya, gunakan hṛnmantra yang diawali “amukārghyāmṛtāya”. Di sana, sembahlah enam belas kalā (bagian suci) Sang Candra secara berurutan.॥17॥
Sanatkumara (in instruction to Narada, within the Vedanga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links outer ritual (arghya) with inner recitation (hṛnmanu), teaching that correct mantra-intent and precise worship of cosmic principles—here, the Moon’s kalās—refine the practitioner toward amṛta (spiritual vitality/immortality).
Bhakti is expressed through disciplined upāsanā: offering arghya with a focused heart-mantra and honoring the Moon’s divine aspects (kalās) as a sacred manifestation within the ordered cosmos.
Jyotiṣa-oriented ritual timing and lunar doctrine are implied by the ‘sixteen kalās’ of the Moon, alongside mantra-application rules (prayoga) used in formal worship procedures.