Shloka 29

प्राकारं ददृशुस्ते तु समन्‍्तात्‌ कपिलीकृतम्‌ | राक्षसा विस्मिता राजन्‌ सस्त्रीवृद्धा: समनन्‍्ततः,राजन! धानके फूल-जैसे रंगवाले, मौलसिरीके पुष्प-सदृश कान्तिवाले, प्रातःकालके सूर्यके समान अरुण प्रभावाले तथा सनईके समान सफेद रंगवाले वानरोंसे व्याप्त होनेके कारण लंकाकी चहारदीवारी चारों ओर कपिलवर्णकी दिखायी देती थी। स्त्रियों और वृद्धोंसहित समस्त लंकावासी राक्षस चारों ओर आश्वर्यचकित होकर इस दृश्यको देख रहे थे

prākāraṁ dadṛśus te tu samantāt kapilīkṛtam | rākṣasā vismitā rājan sa-strī-vṛddhāḥ samantataḥ ||

Mārkaṇḍeya berkata: “Mereka melihat benteng di sekeliling telah berubah menjadi warna kekuningan—seakan-akan diselimuti warna para kera. Wahai Raja, para rākṣasa, termasuk perempuan dan orang-orang tua, berdiri di segala sisi, tercengang memandang pemandangan itu.”

प्राकारम्rampart, enclosing wall
प्राकारम्:
Karma
TypeNoun
Rootप्राकार
FormMasculine, Accusative, Singular
ददृशुःthey saw
ददृशुः:
TypeVerb
Rootदृश्
FormPerfect (Liṭ), 3rd, Plural, Parasmaipada
तेthey
ते:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Plural
तुbut, indeed
तु:
TypeIndeclinable
Rootतु
समन्तात्on all sides, all around
समन्तात्:
Adhikarana
TypeIndeclinable
Rootसमन्तात्
कपिलीकृतम्made tawny/monkey-colored
कपिलीकृतम्:
TypeAdjective
Rootकपिलीकृत
FormMasculine, Accusative, Singular
राक्षसाःthe Rakshasas
राक्षसाः:
Karta
TypeNoun
Rootराक्षस
FormMasculine, Nominative, Plural
विस्मिताःastonished
विस्मिताः:
TypeAdjective
Rootविस्मित
FormMasculine, Nominative, Plural
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular
with
:
TypeIndeclinable
Root
स्त्रीwith women
स्त्री:
Karana
TypeNoun
Rootस्त्री
FormFeminine, Instrumental, Plural
वृद्धाःelders, old people
वृद्धाः:
Karta
TypeNoun
Rootवृद्ध
FormMasculine, Nominative, Plural
समन्ततःfrom all sides, all around
समन्ततः:
Adhikarana
TypeIndeclinable
Rootसमन्ततः

मार्कण्डेय उवाच

M
Mārkaṇḍeya
R
rājan (the king addressed)
R
rākṣasas
P
prākāra (rampart/city wall)

Educational Q&A

The verse highlights how overwhelming collective force and sudden strategic presence can psychologically unnerve an opponent: even non-combatants (women and elders) are drawn into astonished witness, signaling a turning of morale before the clash fully unfolds.

Mārkaṇḍeya describes a scene where the city’s ramparts appear tawny/‘monkey-colored’ all around—suggesting they are covered or dominated by monkey-like warriors—while the rākṣasas of the city, including women and elders, look on in amazement.