Shloka 28

शालिप्रसूनसदृशै: शिरीषकुसुमप्रभै: । तरुणादित्यसदृशै: शणगौरैश्व वानरै:,राजन! धानके फूल-जैसे रंगवाले, मौलसिरीके पुष्प-सदृश कान्तिवाले, प्रातःकालके सूर्यके समान अरुण प्रभावाले तथा सनईके समान सफेद रंगवाले वानरोंसे व्याप्त होनेके कारण लंकाकी चहारदीवारी चारों ओर कपिलवर्णकी दिखायी देती थी। स्त्रियों और वृद्धोंसहित समस्त लंकावासी राक्षस चारों ओर आश्वर्यचकित होकर इस दृश्यको देख रहे थे

mārkaṇḍeya uvāca |

śāliprasūnasadṛśaiḥ śirīṣakusumaprabhaiḥ |

taruṇādityasadṛśaiḥ śaṇagauraiś ca vānaraiḥ, rājan |

Wahai raja, benteng-benteng Laṅkā tampak keemasan-kecokelatan di segala sisi karena dipenuhi para kera: ada yang sewarna bunga padi, ada yang bercahaya seperti bunga śirīṣa, ada yang merah menyala seperti matahari muda, dan ada pula yang pucat-putih seperti rami. Menyaksikan pemandangan menakjubkan itu, para rākṣasa penghuni Laṅkā—termasuk perempuan dan para lanjut usia—berdiri memandang dengan takjub.

शालि-प्रसून-सदृशैःwith (those) resembling rice-flowers
शालि-प्रसून-सदृशैः:
Karana
TypeAdjective
Rootशालिप्रसूनसदृश
FormMasculine, Instrumental, Plural
शिरीष-कुसुम-प्रभैःwith (those) having the radiance of śirīṣa blossoms
शिरीष-कुसुम-प्रभैः:
Karana
TypeAdjective
Rootशिरीषकुसुमप्रभ
FormMasculine, Instrumental, Plural
तरुण-आदित्य-सदृशैःwith (those) resembling the young/morning sun
तरुण-आदित्य-सदृशैः:
Karana
TypeAdjective
Rootतरुणादित्यसदृश
FormMasculine, Instrumental, Plural
शण-गौरैःwith (those) white like hemp/flax
शण-गौरैः:
Karana
TypeAdjective
Rootशणगौर
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
वानरैःby/with monkeys
वानरैः:
Karana
TypeNoun
Rootवानर
FormMasculine, Instrumental, Plural
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular

मार्कण्डेय उवाच

M
Mārkaṇḍeya
K
King (rājan)
L
Laṅkā
V
Vānaras (monkeys)
R
Rākṣasas of Laṅkā
W
Women of Laṅkā
E
Elders of Laṅkā
R
Ramparts/walls (implied by context)

Educational Q&A

The verse highlights how a righteous, disciplined force can become an overwhelming moral and psychological presence: the spectacle of the vānaras surrounding Laṅkā produces awe and destabilizes the confidence of the rākṣasas. It underscores the ethical dimension of conflict in epic narrative—power is not only physical but also the visible momentum of dharma-backed resolve.

Mārkaṇḍeya describes Laṅkā’s walls appearing tawny because they are crowded on all sides with vānaras of varied colors and radiance—likened to blossoms, śirīṣa flowers, the rising sun, and flax. The inhabitants of Laṅkā, including women and elders, watch the extraordinary sight in astonishment.