पारावतांस्तथा क्षौद्रान् नीपांश्वापि मनोरमान् । बिल्वान् कपित्थाज्जम्बूंश्व काश्मरीर्बदरीस्तथा
pārāvatāṁs tathā kṣaudrān nīpāṁś cāpi manoramān | bilvān kapitthāj jambūṁś ca kāśmarīr badarīs tathā ||
Waiśampāyana berkata— Di sana ada pula pohon pārvata dan pohon kṣaudra, juga pohon nīpa yang menawan; ada bilva, kapittha, jambū, serta pohon kāśmarī dan badarī.
वैशम्पायन उवाच
The verse primarily serves a descriptive purpose: it evokes the richness and variety of the forest landscape. In the ethical-narrative frame of the Vana Parva, such catalogues underscore how life in exile is sustained by nature’s abundance and how the forest becomes a setting for endurance, restraint, and adaptation.
Vaiśampāyana continues a scenic description of the forest region by listing various trees found there—nīpa, bilva, kapittha, jambū, kāśmarī, badarī, and others—painting the environment in which the protagonists’ forest sojourn unfolds.