Shloka 46

पारावतांस्तथा क्षौद्रान्‌ नीपांश्वापि मनोरमान्‌ । बिल्वान्‌ कपित्थाज्जम्बूंश्व काश्मरीर्बदरीस्तथा

pārāvatāṁs tathā kṣaudrān nīpāṁś cāpi manoramān | bilvān kapitthāj jambūṁś ca kāśmarīr badarīs tathā ||

Waiśampāyana berkata— Di sana ada pula pohon pārvata dan pohon kṣaudra, juga pohon nīpa yang menawan; ada bilva, kapittha, jambū, serta pohon kāśmarī dan badarī.

pārāvatānpigeons/doves
pārāvatān:
Karma
TypeNoun
Rootpārāvata
FormMasculine, Accusative, Plural
tathāalso/likewise
tathā:
TypeIndeclinable
Roottathā
kṣaudrānhoney(-things); honeycombs/sweets
kṣaudrān:
Karma
TypeNoun
Rootkṣaudra
FormMasculine, Accusative, Plural
nīpānnīpa trees (kadamba-type)
nīpān:
Karma
TypeNoun
Rootnīpa
FormMasculine, Accusative, Plural
caand
ca:
TypeIndeclinable
Rootca
apialso/even
api:
TypeIndeclinable
Rootapi
manoramāncharming/pleasing
manoramān:
TypeAdjective
Rootmanorama
FormMasculine, Accusative, Plural
bilvānbilva trees/bael
bilvān:
Karma
TypeNoun
Rootbilva
FormMasculine, Accusative, Plural
kapitthātfrom a kapittha tree (wood-apple)
kapitthāt:
Apadana
TypeNoun
Rootkapittha
FormMasculine, Ablative, Singular
jambūnjambu trees/rose-apples
jambūn:
Karma
TypeNoun
Rootjambū
FormFeminine, Accusative, Plural
caand
ca:
TypeIndeclinable
Rootca
kāśmarīḥkāśmarī trees (Gmelina arborea)
kāśmarīḥ:
Karma
TypeNoun
Rootkāśmarī
FormFeminine, Accusative, Plural
badarīḥjujube trees/berries
badarīḥ:
Karma
TypeNoun
Rootbadarī
FormFeminine, Accusative, Plural
tathāalso/likewise
tathā:
TypeIndeclinable
Roottathā

वैशम्पायन उवाच

V
Vaiśampāyana
P
pārāvata tree
K
kṣaudra tree
N
nīpa (kadamba) tree
B
bilva tree
K
kapittha tree
J
jambū tree
K
kāśmarī tree
B
badarī tree

Educational Q&A

The verse primarily serves a descriptive purpose: it evokes the richness and variety of the forest landscape. In the ethical-narrative frame of the Vana Parva, such catalogues underscore how life in exile is sustained by nature’s abundance and how the forest becomes a setting for endurance, restraint, and adaptation.

Vaiśampāyana continues a scenic description of the forest region by listing various trees found there—nīpa, bilva, kapittha, jambū, kāśmarī, badarī, and others—painting the environment in which the protagonists’ forest sojourn unfolds.