देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
ततस्तत्र विभुर्दृष्ट्वा तथाभूतं हरो हरिम् तस्मादवतताराशु मण्डलात्पावकस्य च
tatastatra vibhurdṛṣṭvā tathābhūtaṃ haro harim tasmādavatatārāśu maṇḍalātpāvakasya ca
Kemudian Hara, Tuhan Yang Mahahadir, melihat Hari dalam keadaan demikian, lalu segera turun bahkan dari lingkaran api yang menyala itu.
Suta Goswami (narrating to the sages of Naimisharanya)
It frames Shiva (Hara) as the transcendent yet accessible Pati who manifests and descends for lokasaṅgraha—establishing the Linga’s symbolism as the fiery, formless source that becomes approachable through grace.
Shiva is called vibhū (all-pervading) and shown as freely acting (svātantrya): He observes, responds, and descends from the fiery sphere, indicating both transcendence (beyond form) and immanence (active compassion).
The verse primarily highlights divine anugraha (grace), the key principle behind Pashupata Yoga: liberation occurs when Pati intervenes to loosen pāśa (bondage), making worship and disciplined practice efficacious.