Adhyaya 75: Nishkala–Sakala Shiva, Twofold Linga, and the Supremacy of Dhyana-Yajna
इति श्रीलिङ्गमहापुराणे पूर्वभागे शिवलिङ्गभेदसंस्थापनादिवर्णनं नाम चतुःसप्ततितमो ऽध्यायः ऋषय ऊचुः निष्कलो निर्मलो नित्यः सकलत्वं कथं गतः वक्तुमर्हसि चास्माकं यथा पूर्वं यथा श्रुतम्
iti śrīliṅgamahāpurāṇe pūrvabhāge śivaliṅgabhedasaṃsthāpanādivarṇanaṃ nāma catuḥsaptatitamo 'dhyāyaḥ ṛṣaya ūcuḥ niṣkalo nirmalo nityaḥ sakalatvaṃ kathaṃ gataḥ vaktumarhasi cāsmākaṃ yathā pūrvaṃ yathā śrutam
Demikianlah dalam Śrī Liṅga-Mahāpurāṇa bagian awal, bab ke-75 bernama “Uraian ragam Śiva-Liṅga serta tata cara penegakannya.” Para resi berkata: “Ia yang niṣkala, nirmala, dan nitya—bagaimana Tuhan yang sama memasuki keadaan sakala? Mohon jelaskan kepada kami sebagaimana dahulu dinyatakan dan sebagaimana kami dengar.”
Ṛṣis (Sages of Naimiṣāraṇya), within Sūta’s narration framework
It frames the central theological question behind Liṅga-pūjā: how the transcendent (niṣkala) Śiva becomes approachable through a manifest, worshipable form (sakala), which underlies the legitimacy of Liṅga installation and ritual.
Śiva is presented as niṣkala (partless, beyond attributes), nirmala (untouched by mala/bondage), and nitya (eternal), yet capable of assuming sakalatva—an immanent mode for the sake of revelation, grace, and the liberation of paśus (bound souls).
The verse introduces the doctrinal basis for Liṅga-pratiṣṭhā (installation) and Liṅga-pūjā; yogically, it points to contemplating Śiva in both modes—niṣkala (transcendent meditation) and sakala (devotional worship with form).