Shloka 72

वंशानुवर्णनम् — सात्वतवंशः, स्यमन्तक-प्रसङ्गः, कृष्णावतारः, शिवप्रसादः (पाशुपतयोगः)

Devanagari script

जाम्बवत्या वचः श्रुत्वा जगन्नाथस्ततो हरिः तपस्तप्तुं समारेभे तपोनिधिरनिन्दितः

Transliteration

jāmbavatyā vacaḥ śrutvā jagannāthastato hariḥ tapastaptuṃ samārebhe taponidhiraninditaḥ

Translation

Mendengar ucapan Jāmbavatī, Hari—Tuhan semesta—pun mulai menjalani tapa. Tanpa cela dan laksana gudang tapa, ia menekuni panasnya disiplin rohani.

Word by Word

• जाम्बवत्या (jāmbavatyā): by Jāmbavatī

• वचः (vacaḥ): words, speech

• श्रुत्वा (śrutvā): having heard

• जगन्नाथः (jagannāthaḥ): Lord of the world

• ततः (tataḥ): then, thereafter

• हरिः (hariḥ): Hari (Viṣṇu)

• तपः (tapaḥ): austerity, ascetic discipline

• तप्तुम् (taptum): to perform, to undertake (lit. to heat)

• समारेभे (samārebhe): began, commenced

• तपोनिधिः (taponidhiḥ): storehouse/treasury of tapas

• अनिन्दितः (aninditaḥ): blameless, faultless

Speaker

Suta Goswami (narrating the Linga Purana narrative to the sages; internal scene describing Hari)

Characters & Entities

• Jambavati
• Vishnu (Hari)

FAQs

What is the importance of this verse in the context of Linga worship?

It highlights tapas as the inner prerequisite for sacred attainment—purifying intention and making the devotee fit for Shiva-oriented realization, which underlies sincere Linga worship beyond mere external ritual.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By showing even Hari taking refuge in tapas, the verse implies the supremacy of spiritual discipline that ultimately culminates in orientation to Pati (the Supreme Lord, Shiva-tattva), who grants release from pasha to the pashu.

What ritualistic or Yogic practice is highlighted here?

Tapas (austerity)—a core limb of Shaiva sadhana aligned with Pashupata-style discipline, where concentrated restraint and devotion burn impurities and prepare one for higher worship and grace.