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Shloka 4

Devas Praise Śiva; Gaṇeśa Manifests as Vighneśvara and Receives the Primacy of Worship

वरार्थमीश वीक्ष्यते सुरा गृहं गतास्त्विमे प्रणम्य चाह वाक्पतिः पतिं निरीक्ष्य निर्भयः

varārthamīśa vīkṣyate surā gṛhaṃ gatāstvime praṇamya cāha vākpatiḥ patiṃ nirīkṣya nirbhayaḥ

Melihat Īśa berkenan menganugerahkan karunia, para deva pun pergi ke kediaman-Nya. Setelah bersujud, Vākpati (Bṛhaspati), dengan tanpa gentar memandang Pati—Pembebas jiwa dari belenggu—berkata.

वरार्थम्for the purpose of granting a boon
वरार्थम्:
ईशःthe Lord, Īśvara (Śiva)
ईशः:
वीक्ष्यतेis seen/beheld
वीक्ष्यते:
सुराःthe Devas
सुराः:
गृहम्abode, dwelling
गृहम्:
गताःhaving gone
गताः:
तुindeed
तु:
इमेthese
इमे:
प्रणम्यhaving bowed/prostrated
प्रणम्य:
and
:
आहsaid/spoke
आह:
वाक्पतिःLord of speech, Bṛhaspati
वाक्पतिः:
पतिम्the Pati, the Lord (Paśupati)
पतिम्:
निरीक्ष्यhaving looked upon/after beholding
निरीक्ष्य:
निर्भयःfearless
निर्भयः:

Suta Goswami (narrating), with Bṛhaspati about to speak within the scene

S
Shiva
B
Brihaspati
D
Devas

FAQs

It frames Shiva as the boon-giver (varada) and the Devas as approaching His sacred abode with pranama—highlighting darśana, humility, and petition as core attitudes behind Linga-upāsanā.

Shiva is indicated as Īśa and Pati—supreme Lordship that governs and releases the paśu (individual soul) from pāśa (bondage), making Him the ultimate refuge even for the Devas.

Pranāma and fearless darśana of Pati are implied—devotional approach (bhakti with śaraṇāgati) that supports Pāśupata-oriented inner steadiness (nirbhayatā) before seeking grace.