Daily Duties of Brāhmaṇas: Snāna, Sandhyā, Sūrya-hṛdaya, Japa, Tarpaṇa, and the Pañca-mahāyajñas
उदुत्यं चित्रमित्येते तच्चक्षुरिति मन्त्रतः / हंसः शुचिषदेतेन सावित्र्या च विशेषतः
udutyaṃ citramityete taccakṣuriti mantrataḥ / haṃsaḥ śuciṣadetena sāvitryā ca viśeṣataḥ
“Ud utyaṃ citram…” dan juga “Tac cakṣur…”—inilah mantra-mantranya. Dengan ini, dan terutama dengan Sāvitrī (Gāyatrī), hendaknya merenungkan Haṃsa (so’ham), Sang Suci yang bersemayam di alam cahaya.
A Purana narrator (Vyasa/Suta-style narration) presenting mantra-based contemplation instructions in the Kurma Purana’s teaching stream
Primary Rasa: shanta
Secondary Rasa: adbhuta
It points to the Haṃsa as the pure, luminous indweller—realized through mantra and contemplation—indicating the Self as the inner witness (the ‘divine eye’) rather than merely an external deity.
Mantra-japa and dhyāna: recitation/usage of Vedic solar mantras (e.g., “Ud utyaṃ citram…”, “Tac cakṣur…”) with special emphasis on Sāvitrī (Gāyatrī), culminating in Haṃsa (so’ham) contemplation aligned with inner purification.
By centering realization on the Haṃsa/Supreme Self accessed through mantra and purity, it supports the Kurma Purana’s non-sectarian synthesis: the ultimate is one (Ishvara/Atman) and is approached through shared yogic-mantric discipline beyond sect labels.