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Agni Purana — Yoga & Brahma-vidya, Shloka 28

Chapter 378: Brahma-jñāna

Knowledge of Brahman

सनन्दनादयो ब्रह्मभावभावनया युताः कर्मभावनया चान्ये देवाद्याः स्थावरान्तकाः

sanandanādayo brahmabhāvabhāvanayā yutāḥ karmabhāvanayā cānye devādyāḥ sthāvarāntakāḥ

Sanandana dan yang sejenisnya dianugerahi bhāvanā berupa pemupukan keadaan Brahman; sedangkan yang lain—mulai para dewa hingga makhluk tak bergerak—berciri bhāvanā yang terkait dengan karma (tindakan).

सनन्दन-आदयःSanandana and others
सनन्दन-आदयः:
Karta (कर्ता/Subject)
TypeNoun
Rootसनन्दन (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; ‘आदि’-समासान्त, ‘सनन्दन’ इत्यादयः
ब्रह्म-भाव-भावनयाby contemplation of the state of Brahman
ब्रह्म-भाव-भावनया:
Karana (करण/Instrument)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक) + भाव (प्रातिपदिक) + भावना (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; हेतु/साधनभावे
युताःendowed/associated
युताः:
Karta (कर्ता/Subject)
TypeAdjective
Rootयुज् (धातु) → युत (कृदन्त, क्त)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; क्त-प्रत्ययान्त भूतकर्मणि/भावे, ‘युक्त’ = समन्वित
कर्म-भावनयाby contemplation of action (karma)
कर्म-भावनया:
Karana (करण/Instrument)
TypeNoun
Rootकर्मन् (प्रातिपदिक) + भावना (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
अन्येothers
अन्ये:
Karta (कर्ता/Subject)
TypeNoun
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; सर्वनाम-प्रयोग (others)
देव-आद्याःthe gods and others
देव-आद्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootदेव (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; ‘देव’ इत्यादयः
स्थावर-अन्तकाः(beings) up to the immovables
स्थावर-अन्तकाः:
Karta (कर्ता/Subject)
TypeNoun
Rootस्थावर (प्रातिपदिक) + अन्तक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; ‘स्थावरान्त’ (up to immovables) इत्यर्थे सीमासूचक-तत्पुरुष

Lord Agni (narrating Purāṇic instruction to Vasiṣṭha, in the standard Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Samanya","practical_application":"Diagnose one’s spiritual orientation: cultivate brahma-bhavana (nondual contemplation) rather than remaining confined to karma-bhavana (action-centered identity).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Brahmabhāvanā vs Karmabhāvanā (two contemplative modes)","lookup_keywords":["brahmabhavana","karmabhavana","Sanandana","adhikara","mokshadharma"],"quick_summary":"The text distinguishes beings oriented to Brahman-contemplation (e.g., Sanandana) from those oriented to action-contemplation across the cosmic hierarchy. Practically, it frames a shift from doership to Brahman-abidance as the moksha-facing cultivation."}

Concept: Adhikāra-bheda: some are established in Brahman-oriented contemplation, others in action-oriented contemplation; liberation aligns with brahma-bhāvanā.

Application: Self-audit: reduce identification with roles/ritual doership; increase nididhyāsana on pure awareness while performing duties without ego.

Khanda Section: Sāṅkhya–Yoga / Mokṣa-dharma (Brahmabhāvanā and Karmabhāvanā—modes of contemplative attainment)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A cosmic vertical panorama: Sanandana and the Kumaras absorbed in luminous Brahman-contemplation above; below, gods, humans, animals, and immobile beings engaged in action and worldly motion—two streams of bhāvanā shown as contrasting auras.","kerala_mural_prompt":"Kerala temple mural, layered cosmic hierarchy, four Kumaras with serene faces and jnana-mudra, golden-white Brahman aura above, below devas and beings in dynamic action, flat decorative foliage, traditional mineral colors, sacred symmetry","tanjore_prompt":"Tanjore painting, central radiant Brahman-light behind Sanandana, embossed gold halo work, lower register showing devas and earthly beings performing actions, rich reds and greens, ornate borders, devotional yet didactic composition","mysore_prompt":"Mysore painting, instructional diagram-like tiers labeled by beings, subtle shading, calm Kumaras in meditation, contrasting active figures below, clean lines, soft palette, emphasis on contemplative vs active postures","mughal_miniature_prompt":"Mughal miniature, courtly precision, vertical composition with multiple registers, ascetic Kumaras in quiet pavilion of light, below bustling scenes of gods and creatures in action, fine detailing, muted gold accents"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: चान्ये = च + अन्ये; ब्रह्मभावभावनया/कर्मभावनया are tatpuruṣa compounds; स्थावरान्तकाः analyzed as ‘up to the immovables’ (अन्त = limit).

Related Themes: Agni Purana 378 (Brahmabhāvanā/Karmabhāvanā sequence); Agni Purana sections on Mokṣa-dharma and Jñāna-yoga

S
Sanandana
D
Devas
B
Brahman
K
Karma
S
Sthāvara (immobile beings)

FAQs

It distinguishes two operative modes of bhāvanā (cultivated orientation): brahma-bhāvanā (non-dual contemplative absorption in Brahman) versus karma-bhāvanā (action/ritual-and-duty-oriented cultivation), mapping spiritual tendencies across classes of beings.

Alongside ritual, polity, medicine, and arts, the Agni Purāṇa also systematizes philosophical categories—here offering a concise taxonomy of beings by their dominant spiritual orientation (Brahman-contemplation vs action-based cultivation).

It implies that liberation-oriented realization is linked to brahma-bhāvanā, while continued embodied trajectories across higher and lower births are associated with karma-bhāvanā—highlighting the shift from action-centered identity to Brahman-centered contemplation.