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Agni Purana — Raja-dharma, Shloka 58

Rājanīti (Statecraft): Ṣaḍvidha-bala, Vyūha-vidhāna, and Strategic Warfare

अष्टानीको द्वितीयस्तु प्रथमः सर्वतोमुखः अर्धचन्द्रक ऊर्ध्वाङ्गो वज्रभेदास्तु संहतेः

aṣṭānīko dvitīyastu prathamaḥ sarvatomukhaḥ ardhacandraka ūrdhvāṅgo vajrabhedāstu saṃhateḥ

Formasi kedua ialah ‘Aṣṭānīka’ (berdelapan sisi); yang pertama ialah ‘Sarvatomukha’ (menghadap segala arah). ‘Ardhacandraka’, ‘Ūrdhvāṅga’, dan ‘Vajrabheda’—inilah ragam formasi ‘Saṃhati’, yakni susunan rapat dan memusat.

अष्टानीकः(formation) having eight divisions/arrays
अष्टानीकः:
Karta (कर्ता/Subject)
TypeNoun
Rootअष्ट (संख्या) + अनीक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समासः (अष्टौ अनीकाः यस्य)
द्वितीयःthe second
द्वितीयः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootद्वितीय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; क्रमवाचक (ordinal)
तुand/but
तु:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
प्रथमःthe first
प्रथमः:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootप्रथम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; क्रमवाचक
सर्वतोमुखः(formation) facing all directions
सर्वतोमुखः:
Karta (कर्ता/Subject)
TypeNoun
Rootसर्वतः (अव्यय) + मुख (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; बहुव्रीहिः (सर्वतः मुखानि यस्य)
अर्धचन्द्रकः(formation) “half-moon”
अर्धचन्द्रकः:
Karta (कर्ता/Subject)
TypeNoun
Rootअर्ध + चन्द्रक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारयः (अर्धः चन्द्रकः)
ऊर्ध्वाङ्गः(formation) with raised upper part
ऊर्ध्वाङ्गः:
Karta (कर्ता/Subject)
TypeNoun
Rootऊर्ध्व + अङ्ग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारयः (ऊर्ध्वम् अङ्गं यस्य/ऊर्ध्व-अङ्गः)
वज्रभेदाःvajra-type divisions/variants
वज्रभेदाः:
Karta (कर्ता/Subject)
TypeNoun
Rootवज्र + भेद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; षष्ठी-तत्पुरुषः (वज्रस्य भेदाः)
तुand/but
तु:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
संहतेःof the compact formation
संहतेः:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootसंहति (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th/Genitive), एकवचन; ‘संहतेः’ = of the compact/combined (array)

Lord Agni (instructing the sage Vasiṣṭha in the Agni Purana’s Dhanurveda material)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Catalog of saṃhati (compact/massed) formation types for commanders to choose based on terrain, enemy approach vectors, and need for shock/defense.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Saṃhati (massed) formation varieties: Sarvatomukha, Aṣṭānīka, Ardhacandraka, Ūrdhvāṅga, Vajrabheda","lookup_keywords":["Saṃhati vyūha","Sarvatomukha","Aṣṭānīka","Ardhacandraka","Vajrabheda"],"quick_summary":"Lists key compact formations: all-facing defense, eight-pointed deployment, crescent, upward-extended, and ‘vajra-splitting’ shock array—used to adapt massed troops to tactical needs."}

Weapon Type: Combined arms implied (caturaṅga); formation-centric

Concept: Right arrangement (saṃhati) converts many into one force; geometry becomes strategy.

Application: Choose sarvatomukha for defense in open threat environment; vajrabheda for breaking enemy center; ardhacandra for flanking on wider fronts.

Khanda Section: Dhanurveda (Military science: battle formations and tactical arrays)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"Overhead view of a massed army demonstrating five compact formations: Sarvatomukha (faces outward), Aṣṭānīka (eight-point star), Ardhacandraka (crescent), Ūrdhvāṅga (projecting spearhead), and Vajrabheda (diamond/wedge splitting the enemy line).","kerala_mural_prompt":"Kerala mural, stylized troops and banners forming clear geometric shapes, strong color blocks, rhythmic repetition, commanders at edges, dramatic yet schematic battlefield","tanjore_prompt":"Tanjore painting, royal commander on elephant overseeing gold-accented formation geometry, ornate borders, troops arranged into star/crescent/wedge shapes with decorative clarity","mysore_prompt":"Mysore style, instructional battlefield diagram with neat troop icons, labeled formation names, emphasis on geometry and movement arrows, subdued palette","mughal_miniature_prompt":"Mughal miniature, panoramic battle with precise ranks, wedge charge depicted, crescent flank visible, detailed armor and standards, high viewpoint to show shapes"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"epic"}

Sandhi Resolution Notes: द्वितीयस्तु → द्वितीयः तु; वज्रभेदास्तु → वज्रभेदाः तु

Related Themes: Agni Purana Dhanurveda sections enumerating vyūhas and their lakṣaṇas (same khanda, adjacent verses)

A
Agni Purana
D
Dhanurveda
S
Sarvatomukha-vyuha
A
Aṣṭānīka-vyuha
A
Ardhacandraka-vyuha
Ū
Ūrdhvāṅga-vyuha
V
Vajrabheda-vyuha

FAQs

It transmits Dhanurveda terminology by listing specific named battle arrays (vyūhas)—Sarvatomukha, Aṣṭānīka, Ardhacandraka, Ūrdhvāṅga, and Vajrabheda—classified under a compact/massed formation (saṃhati) for practical troop deployment.

Alongside theology and ritual, the Agni Purana preserves technical military vocabulary and battlefield science—showing it functions as a multi-disciplinary manual that includes strategy, formations, and applied statecraft knowledge.

While primarily tactical, the Purāṇic framing treats righteous protection of society (dharma-rakṣaṇa) as a duty of kings and warriors; disciplined, properly classified methods of defense are implicitly aligned with dharma when used for just governance.