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Agni Purana — Agneya-vidya, Shloka 43

Explanation of the Vāsudeva and Related Mantras (वासुदेवादिमन्त्रनिरूपणम्)

उपस्थो भूर्जलन्तेजो वायुराकाशमेव च पुरुषं व्यापकं न्यस्य अङ्गुष्ठादौ दश न्यसेत्

upastho bhūrjalantejo vāyurākāśameva ca puruṣaṃ vyāpakaṃ nyasya aṅguṣṭhādau daśa nyaset

Setelah menegakkan (nyāsa) unsur bumi, air, api, angin, dan ākāśa—serta upastha—lalu Puruṣa Yang Mahameresapi, hendaknya menempatkan sepuluh nyāsa mulai dari ibu jari dan seterusnya.

उपस्थःgenitals (organ of generation)
उपस्थः:
Karta (कर्ता/Subject)
TypeNoun
Rootउपस्थ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
भूःearth
भूः:
Karta (कर्ता/Subject)
TypeNoun
Rootभू (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
जलम्water
जलम्:
Karta (कर्ता/Subject)
TypeNoun
Rootजल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
तेजःfire/energy (tejas)
तेजः:
Karta (कर्ता/Subject)
TypeNoun
Rootतेजस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
वायुःwind/air
वायुः:
Karta (कर्ता/Subject)
TypeNoun
Rootवायु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
आकाशम्ether/space
आकाशम्:
Karta (कर्ता/Subject)
TypeNoun
Rootआकाश (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
एवindeed/just
एव:
Sambandha (सम्बन्ध/emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारण-अव्यय (particle of emphasis/restriction)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
पुरुषम्Puruṣa
पुरुषम्:
Karma (कर्म/Object)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative), एकवचन
व्यापकम्all-pervading
व्यापकम्:
Karma (कर्म/Object-qualifier)
TypeAdjective
Rootव्यापक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying पुरुषम्)
न्यस्यhaving placed/installed
न्यस्य:
Kriya (क्रिया/पूर्वक्रिया)
TypeVerb
Rootनि√अस् (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभाव (indeclinable participle): ‘having placed’
अङ्गुष्ठादौat the thumb etc.
अङ्गुष्ठादौ:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootअङ्गुष्ठ-आदि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (Locative), एकवचन; ‘starting with the thumb’
दशten
दश:
Karma (कर्म/measure of what is placed)
TypeAdjective
Rootदशन्/दश (प्रातिपदिक)
Formअव्ययवत् संख्याशब्दः; (numeral ‘ten’, here as count/measure)
न्यसेत्should place/assign
न्यसेत्:
Kriya (क्रिया/verb)
TypeVerb
Rootनि√अस् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद

Lord Agni (instructing the sage Vasiṣṭha in ritual procedure)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Bhuta-nyasa and Purusha-nyasa: ritually purify and reconstitute the body by installing the five mahabhutas (earth, water, fire, wind, ether) and then the all-pervading Purusha, followed by ten finger/limb placements beginning with the thumb.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Bhuta-nyasa (Prithvi–Jala–Tejas–Vayu–Akasha) with Purusha-nyasa; ten placements from thumb","lookup_keywords":["bhuta-nyasa","mahabhuta","Purusha-nyasa","thumb-nyasa","vyapaka"],"quick_summary":"Install the five elements and then Purusha through nyasa to effect bhuta-shuddhi; complete with ten placements starting from the thumb to seal the rite and stabilize mantra-power."}

Concept: Bhuta-shuddhi: the body is re-envisioned as composed of purified elements, then pervaded by Purusha; microcosm aligned to macrocosm.

Application: Use before japa/homa/puja to steady attention, reduce bodily impurity-sense, and cultivate a ‘deha-as-mandala’ contemplative state.

Khanda Section: Puja-vidhi / Tantra-nyasa (Anga-nyasa and Bhuta-nyasa)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A practitioner performs bhuta-nyasa: five elemental symbols (earth square, water crescent, fire triangle, wind circle, ether void) are placed onto the body, then a luminous Purusha aura envelops the figure; hands move to thumb and other points for ten placements.","kerala_mural_prompt":"Kerala mural, stylized elemental emblems hovering over the body, sequential placement gestures, Purusha as radiant outline filling the figure, bold colors and sacred lamp-lit ambience","tanjore_prompt":"Tanjore painting, central figure with gold-embossed elemental yantra symbols on torso/limbs, Purusha aura as gilded halo-field, ornate arch and lotus base, rich gold work","mysore_prompt":"Mysore didactic composition: clear elemental icons with arrows to body locations, then an overlay of a luminous Purusha silhouette, neat and instructional, soft palette","mughal_miniature_prompt":"Mughal miniature, refined ritual chamber, elemental symbols painted like manuscript marginalia around the practitioner, subtle glow indicating Purusha-pervasion, intricate textiles and calligraphic labels"}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: भूर्जलन्तेजो→भूः जलम् तेजः; वायुराकाशम्→वायुः आकाशम्; (आकाशमेव→आकाशम् एव); न्यस्य = नि√अस् क्त्वान्त; अङ्गुष्ठादौ = अङ्गुष्ठ-आदि + सप्तमी.

Related Themes: Agni Purana 25.40 (limb placements for nyasa); Agni Purana 25.39 (Vishnu-nama-nyasa; vyapaka theme)

A
Agni
P
Puruṣa
B
Bhū (Earth)
J
Jala (Water)
T
Tejas/Agni (Fire)
V
Vāyu (Air)
Ā
Ākāśa (Ether)

FAQs

It teaches bhūta-nyāsa (installing the five elements) followed by installing the all-pervading Puruṣa, and then performing the tenfold kara-nyāsa beginning from the thumb—standard preparatory steps for mantra-japa and pūjā.

Beyond mythic narration, it preserves precise, practice-ready ritual technology—elemental purification and hand/body nyāsa—showing the text’s coverage of tantra-informed pūjā manuals alongside its many other disciplines.

By ritually internalizing the elements and the Puruṣa, the practitioner sacralizes the body as a locus of worship, supports mental steadiness for japa, and aims at purification (śuddhi) and alignment with the pervasive Self.