Ritual Procedure for the Phālguna Bright-Fortnight Dvādaśī Narasiṃha Worship, with the Narrative of King Vatsa
Pūrva Bhāga · Vaiṣṇava Devatā-aṅga-nyāsa / Iconographic Body-Invocation
नरसिंहाय पादौ तु गोविन्दायेत्युरू तथा । कटिं विश्वभुजे पूज्य अनिरुद्धेत्युरस्तथा ॥ ४२.२ ॥
narasiṁhāya pādau tu govindāyety-urū tathā | kaṭiṁ viśvabhuje pūjya aniruddhety-uras tathā || 42.2 ||
narasiMhAya pAdau tu govindAyetyurU tathA | kaTiM vishvabhuje pUjya aniruddhetyurastathA || 42.2 ||
नरसिंह के लिए पैर, गोविंद के लिए टाँगें। विश्वभुज के लिए कमर, अनिरुद्ध के लिए छाती, ऐसे पूजा करनी है।
Varāha
Devotion becomes stable when the divine is contemplated systematically in the body/limbs—order creates presence.
In pūjā or japa, use structured nyāsa to reduce distraction; associate divine qualities with bodily regions to internalize protection and remembrance.
The deity’s body is mapped onto mantras/names, turning the worshipper’s perception into a living maṇḍala; the cosmic Person is approached through ordered embodiment (aṅga-nyāsa).
Body-as-yajña-field: limbs become stations of invocation; names (Narasiṃha, Govinda, Viśvabhuja, Aniruddha) function like ritual placements (nyāsa) establishing divine presence.
Supports saguna-upāsanā: the One Brahman/Viṣṇu is contemplated through differentiated nāma-rūpa without losing unity; disciplined imagination (bhāvanā) as a means to steadiness of mind.
Perform a limb-assignment worship (nyāsa/aṅga-pūjā): feet as Narasiṃha, thighs as Govinda, waist as Viśvabhuja, chest as Aniruddha.
Correct nyāsa purifies worship and concentrates mind; incorrect/neglect weakens ritual efficacy.
Hari-pūjā with aṅga-nyāsa (as part of the Phālguna-śukla Dvādaśī observance)
Implied: enhanced merit and focused devotion through properly embodied worship.
Govinda-name is a strong Kṛṣṇa/Viṣṇu epithet; here used in nyāsa without explicit Mathurā narrative.
Varāha Purāṇa: adjacent verses continuing aṅga-pūjā assignments (42.42.3 etc.)
It documents a ritual-technical practice (aṅga-nyāsa/mental placement of divine names on body parts) that reflects the integration of Vaiṣṇava theology with embodied liturgical discipline in Purāṇic transmission.
No geographic location is named in this verse; the content is primarily ritual and iconographic rather than topographical.
The verse emphasizes disciplined, respectful ritual attention—revering the body as a structured locus for contemplative practice through orderly invocation of divine epithets.
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