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Gaurī’s Rebirth, Umā’s Austerities, Rudra’s Test, and the Himalayan Wedding
तस्मिन् विवाहे सलिलप्रवाहे चतुर्मुखो लोकपरः स्वसंस्थः । उवाच कन्यां भव पुत्रि लोके नारी प्रभर्त्ता तव चान्यपुंसाम् ॥ इत्येवमुक्त्वा स उमां सरुद्रां पितामहः स्वं पुरमाजगाम ॥ २२.४७ ॥
tasmin vivāhe salilapravāhe caturmukho lokaparaḥ svasaṁsthaḥ | uvāca kanyāṁ bhava putri loke nārī prabharttā tava cānyapuṁsām | ity evam uktvā sa umāṁ sa-rudrāṁ pitāmahaḥ svaṁ puram ājagāma || 22.47 ||
उस शादी में, पानी के बीच में, ब्रह्मा ने लड़की से कहा। ब्रह्मा की चार मुँह थीं और वो सबकी भलाई चाहते थे। उन्होंने कहा, बेटा, दुनिया में ऐसा रहना। औरत तुम्हारा साथ देगी, और दूसरों का भी। यह कह के ब्रह्मा अपने शहर चले गए, उमा को रुद्र के पास छोड़ के।
Brahmā (Pitāmaha, Caturmukha)
It reflects a Purāṇic narrative style where major cosmological figures (e.g., Brahmā, Rudra, Umā) are situated within social institutions like marriage, preserving cultural memory about idealized roles and counsel in mythic-historical storytelling.
No specific named tīrtha or geographic site is explicitly identified in this verse; the setting is described generally as being amid a “flow of waters” (salila-pravāha).
The verse presents a social-ethical counsel attributed to Brahmā, emphasizing the supportive/leading role of a woman within household and social life, framed as guidance offered during a marriage context.
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