Sukta 9.6
यमत्यमिव वाजिनं मृजन्ति योषणो दश । वने क्रीळन्तमत्यविम् ॥
yám átyam iva vājínaṃ mṛjánti yóṣaṇo dáśa | váne krī́ḷantám átyavim ||
सोम को साफ करते हैं जैसे कोई तेज़ घोड़ा को साफ करते हैं। दस शक्तियाँ इस काम में लगी हैं। सोम जंगल में खेलता है और बहुत तेज़ दौड़ता है। जब तक वो चमक नहीं जाता, तब तक साफ करते रहते हैं।
Ten maidens cleanse him like a swift, prize-winning steed; he plays in the wood, the surpassing runner.
The Soma-consciousness is polished and clarified by the many working powers of the sacrifice (the ‘ten maidens’—purifying faculties/energies). As a swift horse (vital force) he becomes a victorious dynamism; ‘in the wood’ he delights in the field of growth (vanā—life/nature), and as the overpassing runner he exceeds ordinary limits, carrying the seeker beyond habitual mind.
When multiple inner faculties cooperate in purification, the life-force becomes a luminous, disciplined speed that surpasses limitation and turns nature itself into a field of play for the spirit.
Soma purification, Ten maidens motif, Dynamic force (horse imagery), Inner instrumentation
The seer emphasizes the cooperative inner work (many ‘maidens’) required to refine Soma into a victorious, swift life-force—an image central to Aurobindo’s psychological reading of the sacrifice.
Soma is the energizing delight that, once purified, becomes fit for the gods and for victorious action in the worlds.
Transforms raw vitality into illumined speed; makes nature a playful field rather than a bondage.
Soma purification at the strainer; associated with pressing and filtering
यमत्य॑मिव वा॒जिनं॑ मृ॒जन्ति॒ योष॑णो॒ दश॑ । वने॒ क्रीळ॑न्त॒मत्य॑विम् ॥
यम् । अत्य॑म्ऽइव । वा॒जिन॑म् । मृ॒जन्ति॑ । योष॑णः । दश॑ । वने॑ । क्रीळ॑न्तम् । अति॑ऽअविम् ॥
yam | atyam-iva | vājinam | mṛjanti | yoṣaṇaḥ | daśa | vane | krīḷantam | ati-avim
24
3×8 (approx.)
Lithe, quick, ‘galloping’ feel matching horse imagery.
Stimulates dynamic clarity and coordinated effort; good for energizing yet purifying recitation.
Refers to the manual cleansing/pressing and straining of Soma—often done with hands (‘ten maidens’). In stotra context, it accompanies the polishing/clarifying phase.
While Soma is being cleansed/strained and prepared for offering
Accompanies the polishing/clarifying of Soma; invokes fitness and speed for the offering
For practitioners: use when refining habits—invoke coordinated faculties to ‘polish’ life-force into disciplined, joyful action.
√mṛj ‘wipe, cleanse’ is central to Soma purification vocabulary. ‘ten maidens’ is a classic Vedic image: outwardly the ten fingers preparing Soma; inwardly the complete set of operative energies/faculties that refine consciousness. atya ‘steed’ and atyaví- ‘swift runner’ express the dynamic, surpassing movement of the clarified force.
purification as polishing of consciousness (√mṛj), complete instrumentation of the human worker (ten powers/fingers), play (līlā-like krīḍ) as spontaneous movement of the divine force
The ‘cleansing’ establishes right functioning of energies; speed becomes lawful, not chaotic.
Purification makes movement transparent to truth—no distortion in action.
Culture of the vital: nature’s energies reshaped into instruments of the divine play.
Integral/psychological Vedism: transformation of prāṇa (horse) by ananda (Soma).
The ‘horse’ is the purified prāṇic drive; the ‘forest’ is the living field of impulses; cleansing is the discipline that turns impulse into luminous movement.
Refine prāṇa into a steady, victorious momentum; feel inner faculties cooperating like ‘ten maidens’.
Maṇipūra (vital power disciplined) rising toward Ājñā (directed speed as illumined will)
Kapalabhāti (mild) or brisk coherent breathing (e.g., 4-4) followed by quiet sitting to feel ‘polished’ energy.
Energized clarity; joyful mastery of movement.
Chant with a light, quick cadence; after recitation, visualize scattered impulses being combed into one bright current of action.
Exact svara accents not provided (needs svara-text).
Let the rhythm ‘trot’ on ‘atyaṃ iva vājinam’; keep consonant clusters crisp (mṛjanti, krīḷantam).
: ṛ is vocalic ‘r’ (mṛ-), not ‘mir’, : retroflex ṣ; keep ‘yo-ṣa-’ distinct, : long ī; retroflex ḷ (ḻ) in Vedic recitation traditions—articulate carefully, : split as ati-avim; do not swallow the vowel at the junction
Bright, forward, rhythmic; avoid heaviness.
7
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