HomeVaraha PuranaAdhyaya 69Shloka 35
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Varaha Purana 69.35: Adhyaya 69, Shloka 35

Agastya’s Vision of Varuṇa as Nārāyaṇa in Ilāvṛta

एवमुक्तः स भगवात् मया । असौ मुनिपुङ्गवः । प्राह मह्यं यथावृत्तं यत् तु राजेन्द्र तच्छृणु ॥ ६९.३५ ॥

Sanskrit recitationVaraha Purana 69.35

evam uktaḥ sa bhagavāt mayā, asau munipuṅgavaḥ | prāha mahyaṃ yathāvṛttaṃ yat tu rājendra tac chṛṇu || 69.35 ||

મેં એમ કહ્યે પછી તે મુનિપુંગવે જે બન્યું હતું તે મને કહ્યું અને બોલ્યા—“હે રાજેન્દ્ર, તે સાંભળ.”

evamthus
evam:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootevam (अव्यय)
FormAdverb (प्रकारवाचक-अव्यय)
uktaḥhaving been addressed/spoken to
uktaḥ:
Karta (कर्ता)
TypeVerb
Rootvac (धातु) + ta (कृत् प्रत्यय)
FormPast passive participle (क्त), Masculine, Nominative (1st/प्रथमा), Singular; 'having been spoken/addressed'
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
bhagavānthe Blessed one / venerable
bhagavān:
Karta (कर्ता)
TypeNoun
Rootbhagavat (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
mayāby me
mayā:
Karana (करण)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun, Instrumental (3rd/तृतीया), Singular
asauthat (yonder)
asau:
Karta (कर्ता)
TypeNoun
Rootadas (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; deictic pronoun
muni-puṅgavaḥbull among sages / foremost sage
muni-puṅgavaḥ:
Karta (कर्ता)
TypeNoun
Rootmuni (प्रातिपदिक) + puṅgava (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; समास: munīnām puṅgavaḥ (षष्ठी-तत्पुरुष)
prāhasaid
prāha:
Kriya (क्रिया)
TypeVerb
Rootpra + ah (धातु)
FormPerfect (लिट्), 3rd person (प्रथमपुरुष), Singular (एकवचन)
mahyamto me
mahyam:
Sampradana (सम्प्रदान)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
FormPronoun, Dative (4th/चतुर्थी), Singular
yathā-vṛttamas it occurred / in due course
yathā-vṛttam:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootyathā (अव्यय) + vṛtta (प्रातिपदिक)
FormAvyayībhāva compound used adverbially; indeclinable; meaning 'as it happened'
yatwhich/what
yat:
Karma (कर्म)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormRelative pronoun, Neuter, Accusative (2nd/द्वितीया), Singular; object of 'śṛṇu' (understood)
tuindeed/but
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात), emphasis/contrast
rājendraO king of kings
rājendra:
Sambodhana (सम्बोधन)
TypeNoun
Rootrājan (प्रातिपदिक) + indra (प्रातिपदिक)
FormMasculine, Vocative (8th/सम्बोधन), Singular; समास: rājñām indraḥ (षष्ठी-तत्पुरुष)
tatthat
tat:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular; demonstrative pronoun
śṛṇuhear/listen
śṛṇu:
Kriya (क्रिया)
TypeVerb
Rootśru (धातु)
FormImperative (लोट्), 2nd person (मध्यमपुरुष), Singular (एकवचन)

Varāha (narrative voice; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"epistemology (śruti/smṛti-paramparā)","core_concept":"Authority of received narration: events become dharmically meaningful through faithful transmission and attentive listening.","practical_application":"Cultivate śravaṇa (disciplined listening) and preserve teachings without distortion when recounting sacred history."}

Subject Matter: ["Narrative Structure","Dialogue","Transmission of Events"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa: recurring ‘rājendra tacchṛṇu’ narrative cue across dialogue sections

Visual Art Cues: {"scene_description":"A sage ‘bull among munis’ begins recounting events to a king; the narrator signals a transition into reported speech.","item_prompts":["seated king with crown (rājendra)","venerable ascetic with staff/kamaṇḍalu","gesture of instruction (vyākhyāna-mudrā)","assembly setting (sabhā/āśrama)"],"kerala_mural_prompt":"Kerala mural palette; frontal king and ascetic in an āśrama-sabhā, bold outlines, calm śānta mood, instruction gesture emphasized.","tanjore_prompt":"Tanjore composition with gold-leaf halo for the ascetic, ornate throne for the king, rich textiles, minimal background, focus on ‘listen’ moment.","mysore_prompt":"Mysore style soft shading; intimate teaching scene, refined facial expressions, palm-leaf manuscript nearby to suggest transmission.","pahari_prompt":"Pahari miniature: hillside āśrama pavilion, delicate linework, king leaning forward in attentive śravaṇa, sage poised to narrate."}

Audio Atmosphere: {"recitation_mood":"measured, invitational (kathā-prastāva)","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"clear, didactic, slightly anticipatory"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
V
Vaiṣṇavism

FAQs

It exemplifies a common Purāṇic narrative technique: legitimizing the account through a respected sage and signaling an authoritative transmission of events within a royal listening context.

No geographic location is named in this verse; it functions as a narrative transition introducing an account (“what happened”).

Rather than a direct ethical injunction, the verse emphasizes disciplined listening and faithful reporting—values associated with careful reception and transmission of knowledge.

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