Skanda Purana — Kashi Khanda, Shloka 80
आनंदकाननमिदं सुखदं पुरैव तत्त्रापि चक्रसरसी मणिकर्णिकाऽथ । स्वः सिंधुसंगतिरथो परमास्पदं च विश्वेशितुः किमिह तन्न विमुक्तये यत्
ānaṃdakānanamidaṃ sukhadaṃ puraiva tattrāpi cakrasarasī maṇikarṇikā'tha | svaḥ siṃdhusaṃgatiratho paramāspadaṃ ca viśveśituḥ kimiha tanna vimuktaye yat
આ આનંદકાનન પ્રાચીન સમયથી સુખદાયક છે. તેમાં ચક્રસરસી—મણિકર્ણિકા—અને સ્વર્ગનદીનો સંગમ પણ છે. આ વિશ્વેશ્વર શિવનું પરમ ધામ છે. અહીં એવું શું છે જે મુક્તિ તરફ ન લઈ જાય?
Skanda (deduced: Kāśīkhaṇḍa commonly presents Skanda speaking to Agastya)
Tirtha: Ānandakānana; Maṇikarṇikā (Cakrasarasī)
Type: ghat
Listener: Ṛṣis (frame typical; not explicit)
Scene: A sacred map-like tableau: the bliss-grove Ānandakānana, the Cakrasarasī/Maṇikarṇikā pool/ghāṭa, the shining Gaṅgā as ‘heavenly river,’ and Viśveśvara’s temple as the axis; pilgrims move through each node toward a central radiance labeled ‘vimukti.’
FAQs
Kāśī is portrayed as inherently liberation-giving: its sacred sites and Śiva’s presence make the entire kṣetra oriented toward vimukti.
Maṇikarṇikā (identified with Cakrasarasī) within Ānandakānana/Kāśī, along with the revered river-confluence associated with the heavenly river.
No explicit rite (snāna, dāna, japa, vrata) is stated in this verse; it functions as a mahātmya declaration that the very kṣetra leads to liberation.