Mantra 8
Pavamāna Soma’s purifying flow as both giver of victorious wealth and protector of the rite (apotropaic cleansing).
परि त्यं हर्यतं हरिं बभ्रुं पुनन्ति वारेण यो देवान्विश्वां इत्परि मदेन सह गच्छति
pari tyaṃ haryataṃ hariṃ babhruṃ punanti vāreṇa yo devānviśvāṃ itpari madena saha gacchati
pari1 tyaṃ haryataṃ hariṃ2 babhruṃ punanti3 vāreṇa | yo1 devān viśvāṃ itpari2 madena saha3 gacchati ||
તે મનોહર હરિત-તામ્ર, રુધિરવર્ણ સોમને જળથી સર્વત્ર પરિભ્રમણ કરીને શુદ્ધ કરે છે; અને જે આનંદમદ સાથે નિશ્ચયે સર્વ દેવો તરફ ગમન કરે છે.
pari | tyam | haryatam | harim | babhrum | punanti | vāreṇa | yaḥ | devān | viśvān | it | pari | madena | saha | gacchati
Pavamāna-sāman (generic; specific tune not stated in input)
{ "prastava": "Stobha prelude setting a ‘circular’ motif (often repeated openings in Pavamāna sets).", "udgitha": "Text-bearing expansion on ‘pari tyaṃ haryataṃ… punanti’ with long holds for ‘pari/hari’.", "pratihara": "Short answering phrase aligning after ‘vāreṇa’.", "upadrava": "Re-expansion on ‘yo devān viśvān…’ to depict outward movement.", "nidhana": "Unified close on ‘madena saha gacchati’ with collective cadence.", "structure_notes": "In Kauthuma practice, ‘pari’ frequently receives melodic repetition; ‘madena’ may be given a buoyant rise.", "singer_assignments": "Prastotṛ (prastāva), Udgātṛ (udgītha+upadrava), Pratihartṛ (pratihāra), all (nidhana)." }
{ "gloss_summary": "Officiants purify Soma on all sides with ritual water; Soma then ‘goes to all gods’ by being offered; ‘madena’ is exhilaration produced by Soma.", "ritual_interpretation": "Refers to washing/filtration (pavitra) using consecrated waters; ‘going to the gods’ is the offering in the rite.", "theological_insight": "Purity makes Soma universally receivable; exhilaration is sanctified when directed as offering, not indulgence.", "etymology_highlights": "vāra = ap/udaka used in śodhana; punanti = śodhayanti; mada = harṣa/ānanda from Soma." }