किष्किन्धाप्रवेशः—लक्ष्मणस्य कोपः, तारासान्त्वम्, सुग्रीवदर्शनम्
Lakshmana Enters Kishkindha: Anger, Tara’s Mediation, and Sugriva Encountered
प्रविशन्नेव सततं शुश्राव मधुरस्वरम्।तन्त्रीगीतसमाकीर्णं समगीतपदाक्षरम्।।।।
praviśann eva satataṃ śuśrāva madhurasvaram |
tantrīgītasamākīrṇaṃ samagītapadākṣaram ||
પ્રવેશ કરતાં જ તે સતત મધુર સ્વરો સાંભળતો રહ્યો—વીણાદિ તંત્રીવાદ્યોના સંગીતથી ભરપૂર, અને સમતાલે ગવાયેલા ગીતોના પદ-અક્ષરોથી સુશોભિત।
As he entered, he heard melodious sounds of string instruments and music worded to metre with different kinds of tunes.
Dharma as vigilance: pleasant sensory experiences are present, yet a dharmic agent must remain focused on truth and obligation.
Inside the palace precincts, Lakṣmaṇa hears refined music and singing, signaling festivity and leisure within.
Self-control (dama): he does not indulge; he registers the scene as part of assessing Sugrīva’s conduct.