Shloka 66
The Glory of Śrāddha at Sacred Fords and the Determination of the Kutapa Time
एष्टव्या बहवः पुत्रा यद्येकोपि गयां व्रजेत् । यजेत वाश्वमेधेन नीलं वा वृषमुत्सृजेत्
eṣṭavyā bahavaḥ putrā yadyekopi gayāṃ vrajet | yajeta vāśvamedhena nīlaṃ vā vṛṣamutsṛjet
ઘણા પુત્રોની ઇચ્છા કરવી જોઈએ—તેમામાંથી એક પણ પિતૃશ્રાદ્ધ માટે ગયામાં જાય તો. અથવા અશ્વમેધ યજ્ઞ કરવો, કે નীলવર્ણ વૃષભને ધર્મદાનરૂપે મુક્ત કરવો.
Unspecified (context-dependent within Sṛṣṭikhaṇḍa Adhyaya 11)
Concept: Pitṛ-dharma is a high obligation: a single son’s Gayā-yātrā for ancestral rites can rival the merit of imperial sacrifices and costly gifts.
Application: Prioritize essential duties—care for parents/ancestors, perform remembrance rites, and support family dharma—over status-driven displays.
Primary Rasa: vira
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A king stands at a crossroads of dharma: on one side, a vast Aśvamedha arena with banners, priests, and a sacrificial horse; on the other, the quiet, powerful ghāṭa of Gayā where a single devoted son offers piṇḍas with folded hands. A dark-blue bull is shown being respectfully released with a garland, symbolizing dāna—yet the riverbank rite radiates the strongest aura.","primary_figures":["Devoted son (pilgrim)","Pitṛs (subtle)","Royal patron (optional)","Vedic priests (optional)","Bull (released as gift)"],"setting":"Split-scene: Gayā ghāṭa with offering platform; adjacent sacrificial ground with yajña-kuṇḍas and royal pavilion.","lighting_mood":"temple lamp-lit","color_palette":["indigo","saffron","ash gray","copper bronze","ivory"],"tanjore_prompt":"Tanjore painting style: dramatic dual-panel—Gayā śrāddha in the center with gold leaf aura around the offering, Aśvamedha paraphernalia to one side, blue-black bull with garland being released; heavy gold embossing, rich maroon backdrop, ornate jewelry and temple arch motifs.","pahari_prompt":"Pahari miniature style: narrative split composition with delicate figures—quiet Gayā ghāṭa scene contrasted with bustling yajña ground; cool natural palette, refined expressions, detailed textiles, gentle hills and trees framing the moral choice.","kerala_mural_prompt":"Kerala mural style: iconic, banded registers—upper register shows Aśvamedha symbols, lower register shows Gayā śrāddha; bold outlines, stylized bull, strong reds/yellows/greens, symmetrical temple-mural layout.","pichwai_prompt":"Pichwai cloth painting style: central devotional focus on the śrāddha offering with lotus borders; secondary motifs of horse and bull rendered as decorative emblems; deep blue field with gold and white ornamentation, intricate floral frames."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","ritual drums","murmured mantras","river flow beneath","temple bells"]}
Sandhi Resolution Notes: यद्येकोपि → यदि + एकः + अपि; वाश्वमेधेन → वा + अश्वमेधेन; वृषमुत्सृजेत् → वृषम् + उत्सृजेत्
FAQs
It presents Gayā as a uniquely meritorious tīrtha for ancestral rites: having even one son who goes to Gayā is portrayed as highly beneficial, implying exceptional spiritual efficacy connected with pitṛ-kārya.
It lists the Aśvamedha as an alternative, high-merit act alongside tīrtha-based ancestral duty, reflecting a Purāṇic tendency to compare pilgrimage/rites with major Vedic sacrifices in terms of religious fruit.
The verse underscores responsibility toward ancestors and family continuity: it frames progeny, pilgrimage to sacred places, and sanctioned gifts/rites as means to fulfill dharma and secure spiritual welfare for one’s lineage.