Shloka 18
Annadāna and the Obstruction of Viṣṇu-Darśana; Vāmadeva’s Teaching and the Vāsudeva Stotra Prelude
अन्नादिदानं विप्रेभ्यो न प्रदत्तं द्विजोदितम् । फलं तस्य प्रजानामि न दृष्टो मधुसूदनः
annādidānaṃ viprebhyo na pradattaṃ dvijoditam | phalaṃ tasya prajānāmi na dṛṣṭo madhusūdanaḥ
દ્વિજોએ નિર્ધારિત કરેલા વિધાન મુજબ જે બ્રાહ્મણોને અન્નાદિ દાન આપતો નથી, તેનું ફળ હું જાણું છું—એવો પુરુષ મધુસૂદન (વિષ્ણુ)ના દર્શન પામતો નથી।
Unspecified (narrative voice within the chapter; exact dialogue pair not provided in the input)
Concept: Neglect of prescribed giving—especially food-gifts—obstructs Viṣṇu-darśana; devotion is inseparable from dharmic generosity.
Application: Practice anna-dāna regularly (even modestly): feed guests, support priests/teachers, donate to food kitchens; pair worship with tangible compassion and hospitality.
Primary Rasa: bhayanaka
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A humble householder stands at a temple threshold holding a brass vessel of steaming rice and ghee, while learned brāhmaṇas sit in a respectful row. In the background, a faint, receding vision of Madhusūdana (Viṣṇu) appears behind a veil of light—suggesting that darśana draws near only when generosity is performed.","primary_figures":["Householder donor","Brāhmaṇas (vipras)","Madhusūdana (Viṣṇu) as a subtle, distant presence"],"setting":"Village-temple courtyard with tulasi-vṛndāvana nearby, banana stems, and a small yajña-kuṇḍa; offerings arranged on leaf-plates.","lighting_mood":"temple lamp-lit","color_palette":["lamp-flame amber","saffron ochre","deep indigo","conch white","gold leaf"],"tanjore_prompt":"Tanjore painting style: a South Indian temple courtyard scene of anna-dāna—donor offering rice and ghee to seated brāhmaṇas; Madhusūdana faintly visible in the upper background within a gold-leaf halo, ornate arch (prabhāvali), rich reds and greens, gem-studded ornaments, embossed gold detailing on vessels and halos.","pahari_prompt":"Pahari miniature style: intimate courtyard charity scene with delicate brushwork—donor with brass pot, brāhmaṇas on woven mats, distant translucent Viṣṇu-form behind a gauzy aura; cool palette, refined faces, flowering trees and a small tulasi shrine, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: bold outlined figures—donor and vipras in traditional attire, stylized temple pillars, lamp flames; Viṣṇu as Madhusūdana in a circular aura above, natural pigment reds/yellows/greens, characteristic large eyes and rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: devotional courtyard with lotus borders and floral vines; central act of anna-dāna before a small Viṣṇu shrine, peacocks at the edge, intricate textile-like patterns, deep blues and gold accents, auspicious motifs framing the moral teaching."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["temple bells","soft conch shell","low drone (tanpura)","murmured mantra","quiet footsteps on stone"]}
Sandhi Resolution Notes: अन्नादिदानम् = अन्न + आदि + दानम् (तत्पुरुष); द्विजोदितम् = द्विज + उदितम्; ‘न दृष्टो मधुसूदनः’ इति कर्मणि-भावः (He has not been seen).
FAQs
It emphasizes annadāna—offering food (and similar necessities) as a prescribed act of charity, particularly to Brāhmaṇas.
The verse states that one who neglects this prescribed giving does not attain the vision (darśana) of Madhusūdana (Lord Viṣṇu).
That generosity—especially providing sustenance to others as guided by dharma—is treated as a prerequisite for higher spiritual attainment.