Shloka 42

Adhyāya 168: Arjuna’s counters to māyā-rains and the onset of darkness

Nivātakavaca engagement

Devanagari script

एवं कृत्वा स भगवांस्ततो<न्यद्‌ रूपमास्थित: । दिव्यमेव महाराज वसानो<द्धभुतमम्बरम्‌

Transliteration

evaṁ kṛtvā sa bhagavāṁs tato 'nyad rūpam āsthitaḥ | divyam eva mahārāja vasāno 'dbhutam ambaram ||

Translation

આ રીતે કરીને તે ભગવાને પછી બીજું રૂપ ધારણ કર્યું. હે મહારાજ! કિરાત-વેશ ત્યજી દેવાધિદેવ મહેશ્વર પોતાના દિવ્ય સ્વરૂપમાં પ્રગટ થયા અને અદ્ભુત, અલૌકિક વસ્ત્રો ધારણ કરીને ત્યાં જ ઊભા રહ્યા.

Word by Word

• {'evaṁ': 'thus, in this manner', 'kṛtvā': 'having done (having acted)', 'saḥ': 'he', 'bhagavān': 'the Blessed Lord

• a divine, venerable being', 'tataḥ': 'then, thereafter', 'anyat': 'another, different', 'rūpam': 'form, appearance', 'āsthitaḥ': 'assumed

• entered into', 'divyam': 'divine, celestial', 'eva': 'indeed, precisely', 'mahārāja': 'O great king (address to Yudhiṣṭhira)', 'vasānaḥ': 'wearing, clothed in', 'adbhutam': 'marvellous, astonishing', 'ambaram': 'garment

Speaker

अजुन उवाच

Characters & Entities

• Arjuna
• Śaṅkara
• Maheśvara
• Mahārāja (Yudhiṣṭhira)
• Divine garments (adbhuta ambaram)
• Kīrāta form (hunter guise, implied by context)

Educational Q&A

What is the core teaching?

The verse highlights divine grace and revelation: the deity may appear in a concealed, testing form, and sincere courage, discipline, and devotion culminate in the Lord revealing his true nature.

What is happening in the narrative?

After the preceding actions in the encounter, the Lord—identified as Śaṅkara/Maheśvara—abandons the hunter (kīrāta) guise and manifests a radiant divine form, standing before Arjuna in wondrous celestial attire.