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Shloka 5

Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti

ऋक्षाणि च तदा तस्य वामस्यैव तु भूषणम् नेम्यः षडृतवश्चैव तयोर्वै विप्रपुङ्गवाः

ṛkṣāṇi ca tadā tasya vāmasyaiva tu bhūṣaṇam nemyaḥ ṣaḍṛtavaścaiva tayorvai viprapuṅgavāḥ

ત્યારે, હે વિપ્રપુંગવો, નક્ષત્રમંડળો તેના ડાબા ભાગનું ભૂષણ બન્યા; અને ચક્રની નેમીઓ તથા છ ઋતુઓ તે દિવ્ય અંગોના અલંકાર થયા—એથી પ્રગટ થાય છે કે સર્વ કાળક્રમ અને નિયમ પરમપતિ શ્રીશિવમાં જ પ્રતિષ્ઠિત છે।

ऋक्षाणिthe lunar mansions (nakṣatras)
ऋक्षाणि:
and
:
तदाthen
तदा:
तस्यof Him
तस्य:
वामस्यof the left (side)
वामस्य:
एवindeed
एव:
तुand/indeed
तु:
भूषणम्ornament/adornment
भूषणम्:
नेम्यःwheel-rims/felloes (nemi)
नेम्यः:
षडृतवःthe six seasons
षडृतवः:
and
:
एवalso
एव:
तयोःof those/two (parts/limbs)
तयोः:
वैindeed
वै:
विप्रपुङ्गवाःO foremost among Brahmins
विप्रपुङ्गवाः:

Suta Goswami (narrating to the sages of Naimisharanya)

S
Shiva

FAQs

It frames Shiva (the Linga’s Lord) as the very support of cosmic time—nakṣatras and seasons—so Linga-puja is presented as worship of the source that sustains all calendrical and ritual order.

Shiva-tattva is implied as Pati: the transcendent Lord in whom the structures of time (ṛtu) and celestial measure (ṛkṣa/nakṣatra) appear merely as ornaments—dependent realities, not independent powers.

A contemplative upāsanā is suggested: meditate on Mahadeva as Kāla-adhīśa (Lord of Time), aligning vrata and puja with seasons and lunar mansions while recognizing that liberation of the paśu comes by taking refuge in Pati, not in time-bound rites alone.