Sati's Death & Virabhadra — Sati’s Death and the Assault on Daksha’s Sacrifice: Virabhadra versus the Devas
कार्मुकं च द्वितीयेन तृतीयेनाथ मार्गणान् चतुर्थेन गदां गृह्य धर्ममभ्यद्रवद् गणः
kārmukaṃ ca dvitīyena tṛtīyenātha mārgaṇān caturthena gadāṃ gṛhya dharmamabhyadravad gaṇaḥ
De sa deuxième main il prit l’arc; de la troisième, les flèches; et de la quatrième, saisissant une massue, le gaṇa se rua sur Dharma.
{ "primaryRasa": "vira", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The many-armed iconography conveys competence and readiness: righteous action may require multiple means—restraint (bow), precision (arrows), and decisive force (mace)—applied appropriately.
This is narrative action (carita) rather than sarga/pratisarga; it functions as a didactic mythic episode illustrating divine agency within dharma-centric storytelling.
The bow-and-arrow motif evokes disciplined intent and targeted correction; the mace evokes direct, stabilizing power—together presenting a complete spectrum of protective sovereignty.