Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततो ऽनन्तं हरिर्लिङ्गं दृष्ट्वारुह्य खगेश्वरम् पातालं प्रविवेशाथ विस्मयान्तरितो विभुः
tato 'nantaṃ harirliṅgaṃ dṛṣṭvāruhya khageśvaram pātālaṃ praviveśātha vismayāntarito vibhuḥ
Puis Hari, voyant le liṅga sans fin, monta le seigneur des oiseaux (Garuḍa) et entra dans Pātāla ; le Puissant se déroba aux regards, absorbé par l’émerveillement.
{ "primaryRasa": "adbhuta", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Even the supreme cosmic powers meet mystery: the proper response to the infinite is reverent wonder (vismaya) rather than conquest. The descent to Pātāla signifies the willingness to search in all domains, yet accept limits of cognition.
This is best categorized under Carita/Vamśānucarita-style narrative material: an illustrative episode about divine action and recognition of transcendence, not a genealogical or creation account.
The ‘endless liṅga’ symbolizes the unbounded Absolute. Viṣṇu’s downward journey (to Pātāla) complements Brahmā’s upward ascent (next verse), together expressing that neither ‘below’ nor ‘above’ contains the whole of ultimate reality.