Skanda Purana — Mahesvara Khanda, Shloka 20

Devanagari script

निंदायुक्तं स्वपितरं विलोक्य रुषिता भृशम् । चिंतयंती तदा देवी कथं यास्यामि मंदिरे

Transliteration

niṃdāyuktaṃ svapitaraṃ vilokya ruṣitā bhṛśam | ciṃtayaṃtī tadā devī kathaṃ yāsyāmi maṃdire

Translation

Voyant son propre père rempli de calomnies, la Déesse s’enflamma d’une colère extrême. Puis elle songea : «Comment retournerai-je à ma demeure pour faire face à Śiva ?»

Word by Word

• निन्दायुक्तम्: full of blame/abusive
• निन्दायुक्तम्: Karma-viśeṣaṇa (Object qualifier)
• Type: Adjective
• Root: निन्दा + युक्त (प्रातिपदिक)
• Form: पुल्लिङ्ग, द्वितीया-विभक्ति, एकवचन; तृतीया/षष्ठी-तत्पुरुषार्थे (‘with blame’/‘connected with blame’)

• स्वपितरम्: her own father
• स्वपितरम्: Karma (Object/कर्म)
• Type: Noun
• Root: स्व + पितृ (प्रातिपदिक)
• Form: पुल्लिङ्ग, द्वितीया-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (‘one’s own father’)

• विलोक्य: having seen
• विलोक्य: Kriya-viseshana (Adverbial)
• Type: Verb
• Root: वि-लोक् (धातु)
• Form: क्त्वान्त-अव्यय (Gerund), ‘having seen’

• रुषिता: angered
• रुषिता: Karta (Predicate adjective)
• Type: Verb
• Root: रुष् (धातु)
• Form: क्त-प्रत्ययान्त (PPP), स्त्रीलिङ्ग, प्रथमा, एकवचन; ‘angered’

• भृशम्: greatly
• भृशम्: Kriya-viseshana (Manner)
• Type: Indeclinable
• Root: भृशम् (अव्यय)
• Form: रीतिवाचक-अव्यय (adverb of manner/intensity)

• चिन्तयन्ती: thinking
• चिन्तयन्ती: Karta (Subject/कर्ता)
• Type: Verb
• Root: चिन्त् (धातु)
• Form: शतृ-प्रत्ययान्त वर्तमान-कृदन्त (Present active participle), स्त्रीलिङ्ग, प्रथमा, एकवचन

• तदा: then
• तदा: Kriya-viseshana (Temporal)
• Type: Indeclinable
• Root: तदा (अव्यय)
• Form: कालवाचक-अव्यय

• देवी: the goddess
• देवी: Karta (Subject/कर्ता)
• Type: Noun
• Root: देवी (प्रातिपदिक)
• Form: स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन

• कथम्: how
• कथम्: Kriya-viseshana (Interrogative)
• Type: Indeclinable
• Root: कथम् (अव्यय)
• Form: प्रश्नवाचक-अव्यय (interrogative adverb)

• यास्यामि: shall I go
• यास्यामि: Kriya (Predicate/क्रिया)
• Type: Verb
• Root: या (धातु)
• Form: लृट्-लकार (Simple future), उत्तम-पुरुष (1st), एकवचन

• मन्दिरे: to/at the house (temple)
• मन्दिरे: Adhikarana (Location/अधिकरण)
• Type: Noun
• Root: मन्दिर (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative/7th), एकवचन

Speaker

Narrator (Sūta/Lomaharṣaṇa) describing Satī’s reaction (deduced)

Visual Art Cues

Scene: Satī turns her gaze toward Dakṣa, eyes blazing with restrained fury; around her, the yajña continues mechanically—priests chanting—while the moral center collapses.

Characters & Entities

• Satī
• Dakṣa
• Śiva (implied as her home/consort)

FAQs

What is the primary spiritual lesson of this shloka?

A devotee cannot tolerate blasphemy of the Divine; inner dharma demands a decisive response to adharma.

Which specific holy site (Tirtha) is glorified here?

Not directly; the Kedārakhaṇḍa setting remains in the background.

What ritualistic prescription is mentioned?

None explicitly; it portrays the ethical crisis caused by Śiva-nindā.