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Skanda Purana — Mahesvara Khanda, Shloka 23

बटुरूपधरः श्रीशो द्विभुजः कमलेक्षमः । अतसीपुष्पसंकाशो वनमालाविभूषितः

baṭurūpadharaḥ śrīśo dvibhujaḥ kamalekṣamaḥ | atasīpuṣpasaṃkāśo vanamālāvibhūṣitaḥ

Le Seigneur de Śrī apparut en prenant la forme d’un jeune brahmacārin : à deux bras, aux yeux de lotus, rayonnant comme la fleur d’atasī, et paré d’une guirlande sylvestre.

बटुरूपधरःbearing the form of a boy (brahmacārin)
बटुरूपधरः:
Viśeṣaṇa (Adjective of subject)
TypeAdjective
Rootबटु + रूप + धर (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा विभक्ति, एकवचन; षष्ठी-तत्पुरुष (बटोरूपं धरति) विशेषण (qualifying श्रीशः)
श्रीशःŚrīśa (Lord of Lakṣmī/Viṣṇu)
श्रीशः:
Karta (Subject)
TypeNoun
Rootश्रीश (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा विभक्ति, एकवचन (Nominative singular)
द्विभुजःtwo-armed
द्विभुजः:
Viśeṣaṇa (Adjective of subject)
TypeAdjective
Rootद्वि (संख्या) + भुज (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा विभक्ति, एकवचन; द्विगु-समास (two-armed) विशेषण
कमलेक्षमःlotus-eyed
कमलेक्षमः:
Viśeṣaṇa (Adjective of subject)
TypeAdjective
Rootकमल + ईक्ष (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा विभक्ति, एकवचन; षष्ठी-तत्पुरुष (कमलस्य इव ईक्षे/ईक्षणे यस्य) विशेषण
अतसीपुष्पसंकाशःresembling flax-flowers
अतसीपुष्पसंकाशः:
Viśeṣaṇa (Adjective of subject)
TypeAdjective
Rootअतसी + पुष्प + संकाश (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा विभक्ति, एकवचन; षष्ठी-तत्पुरुष (अतसीपुष्पस्य संकाशः) विशेषण
वनमालाविभूषितःadorned with a forest-garland
वनमालाविभूषितः:
Viśeṣaṇa (Adjective of subject)
TypeAdjective
Rootवनमाला (प्रातिपदिक) + वि+भूष् (धातु) + क्त (कृदन्त) → विभूषित (प्रातिपदिक)
Formभूतकर्मणि कृदन्त; पुंलिङ्ग, प्रथमा विभक्ति, एकवचन; तृतीया-तत्पुरुष (वनमालया विभूषितः) विशेषण

Sūta (deduced: Māheśvarakhaṇḍa narrative voice)

Tirtha: Kedāra (frame)

Type: kshetra

Listener: Implied dvija audience (explicit in adjacent verse)

Scene: Janārdana appears as a radiant brahmacārin boy: two-armed, lotus-eyed, glowing like the blue atasī flower, wearing a forest garland—simple yet unmistakably divine.

Ś
Śrīśa (Viṣṇu)
B
Baṭu form
V
Vana-mālā
A
Atasī flower

FAQs

The Divine responds in accessible forms; God’s manifestation is compassionate and suited to the devotee’s context.

The Kedāra region is the narrative setting; this verse primarily provides the theophany’s form-description.

No new ritual is prescribed here; it describes the form of Viṣṇu that appears as the fruit of the vrata.