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Skanda Purana — Mahesvara Khanda, Shloka 7

रम्ये तत्र महाशृंगे नानाश्चर्योपशोभिते । विभूषणादि सन्यस्य वृक्षवल्कलधारिणी

ramye tatra mahāśṛṃge nānāścaryopaśobhite | vibhūṣaṇādi sanyasya vṛkṣavalkaladhāriṇī

Là, sur un sommet splendide et très élevé, embelli de maintes merveilles, elle déposa les parures et autres ornements ; puis, vêtue d’écorce d’arbre, elle embrassa la voie de l’austérité (tapasya).

रम्येin a lovely (place)
रम्ये:
Adhikarana (Location/अधिकरण)
TypeAdjective
Rootरम्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन (अध्याहृतः ‘स्थाने/देशे’)
तत्रthere
तत्र:
Kriya-viseshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
महाशृंगेon the great peak
महाशृंगे:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootमहा (प्रातिपदिक) + शृंग (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन; कर्मधारय (महच्च तत् शृंगम्)
नानाvarious
नाना:
Visheshana (Qualifier/विशेषण-भाव)
TypeIndeclinable
Rootनाना (अव्यय/प्रातिपदिक-प्रयोग)
Formप्रकारवाचक-अव्यय (various)
आश्चर्योपशोभितेadorned with wonders
आश्चर्योपशोभिते:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootआश्चर्य (प्रातिपदिक) + उपशोभित (कृदन्त-प्रातिपदिक; उप+शुभ्/शोभ् + क्त)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन; तृतीया-तत्पुरुष (आश्चर्यैः उपशोभितम्)
विभूषणादिornaments and the like
विभूषणादि:
Karma (Object/कर्म)
TypeNoun
Rootविभूषण (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; तत्पुरुष (विभूषणं च आदि च) ‘etc.’-अर्थे
सन्यस्यhaving set aside
सन्यस्य:
Purvakala-kriya (Prior action/पूर्वकालक्रिया)
TypeVerb
Rootसम्+नि+अस्/स्य (धातु-समूह; ‘न्यस्’ = to put down)
Formक्त्वान्त-अव्यय (absolutive/gerund), सम्+नि+न्यस्/न्यस्य; ‘having laid aside’
वृक्षवल्कलधारिणीwearing bark-cloth (of trees)
वृक्षवल्कलधारिणी:
Karta (Subject/कर्ता)
TypeNoun
Rootवृक्ष (प्रातिपदिक) + वल्कल (प्रातिपदिक) + धारिणी (प्रातिपदिक; धृ धातु से णिनि)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; षष्ठी-तत्पुरुष (वृक्षस्य वल्कलं धारयति)

Narrator (Sūta/Lomaharṣaṇa) to the sages (deduced for Māheśvarakhaṇḍa)

Tirtha: Mahāśṛṅga (peak of austerity)

Type: peak

Listener: Sages / internal participants

Scene: On a beautiful lofty peak filled with wonders, Girijā removes her ornaments and dons tree-bark garments, beginning severe austerity amid alpine marvels—rocks, rare trees, celestial ambience.

D
Devī (Pārvatī)
S
Sacred mountain peak (Himālaya context)

FAQs

True tapas is supported by simplicity—renunciation of adornment symbolizes inward focus and spiritual resolve.

A sacred Himalayan peak is evoked as a holy landscape, though no specific tīrtha-name is stated.

An ascetic discipline is implied: giving up luxuries and adopting austere attire as part of tapas.