नीरवध्वांतसंकेत सदनाभं तदग्रतः । मकारं स ददर्शाथ तमोरूपं विशेषतः
nīravadhvāṃtasaṃketa sadanābhaṃ tadagrataḥ | makāraṃ sa dadarśātha tamorūpaṃ viśeṣataḥ
Devant lui, il vit alors le son « M »—marqué d’une obscurité silencieuse, semblable à une demeure; plus spécialement, il avait la forme même du tamas.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī
Type: kshetra
Scene: The ‘M’ syllable appears as a deep blue-black, quiet form with a subtle halo; it resembles a cave/abode or a closed lotus-bud; surrounding space hushes, suggesting the approach to silence after sound.
Makāra represents the tamasic, dissolving/withdrawing tendency—pointing to the inward return of manifested forms.
The teaching occurs within Kāśīkhaṇḍa’s praise of Kāśī as a place where ultimate sound-principles are understood.
No ritual is prescribed; the verse is a contemplative mapping of Praṇava’s components.