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Shiva Purana — Vayaviya Samhita, Shloka 3

शैवधर्मप्रशंसा तथा पञ्चविधसाधनविभागः / Praise of Śaiva Dharma and the Fivefold Classification of Practice

स तु पञ्चविधो ज्ञेयः पञ्चभिः पर्वभिः क्रमात् । क्रियातपोजपध्यानज्ञानात्मभिरनुत्तरैः

sa tu pañcavidho jñeyaḥ pañcabhiḥ parvabhiḥ kramāt | kriyātapojapadhyānajñānātmabhiranuttaraiḥ

Cette discipline doit être comprise comme quintuple, se déployant pas à pas en cinq étapes : l’action rituelle suprême (kriyā), l’austérité (tapas), la récitation du mantra (japa), la méditation (dhyāna) et la connaissance libératrice (jñāna).

saḥthat (dharma)
saḥ:
Karta (कर्ता) / Visheshya (विशेष्य)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative, Singular; pronoun ‘he/that’
tuindeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle
pañcavidhaḥfivefold
pañcavidhaḥ:
Visheshana (विशेषण)
TypeAdjective
Rootpañca + vidha (प्रातिपदिक)
FormMasculine, Nominative, Singular; tatpuruṣa: ‘of five kinds’
jñeyaḥto be known
jñeyaḥ:
Predicative (विधेय)
TypeAdjective
Root√jñā (ज्ञा धातु) (कृत्य)
FormGerundive/obligatory participle (तव्यत्/यत्-class: कृत्य), Masculine, Nominative, Singular; passive necessity ‘to be known’
pañcabhiḥby/with five
pañcabhiḥ:
Karaṇa (करण) (with parvabhiḥ)
TypeAdjective
Rootpañca (संख्याप्रातिपदिक)
FormInstrumental (तृतीया), Plural; numeral used adjectivally
parvabhiḥstages/steps
parvabhiḥ:
Karaṇa (करण)
TypeNoun
Rootparva (प्रातिपदिक)
FormNeuter, Instrumental (तृतीया), Plural
kramātin sequence
kramāt:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootkrama (प्रातिपदिक)
FormAblative singular used adverbially (पञ्चमी-प्रयोगः अव्ययीभाववत्): ‘in order/ क्रमशः’
kriyā-tapo-japa-dhyāna-jñāna-ātmabhiḥby (means) whose nature is action, austerity, recitation, meditation, and knowledge
kriyā-tapo-japa-dhyāna-jñāna-ātmabhiḥ:
Karaṇa (करण) / Hetu (हेतु)
TypeNoun
Rootkriyā + tapas + japa + dhyāna + jñāna + ātman (प्रातिपदिक)
FormMasculine, Instrumental (तृतीया), Plural; multi-member tatpuruṣa with final ātman ‘having the nature of’: ‘whose nature consists of action, austerity, recitation, meditation, and knowledge’
anuttaraiḥunsurpassed/supreme
anuttaraiḥ:
Visheshana (विशेषण)
TypeAdjective
Rootanuttara (प्रातिपदिक)
FormMasculine/Neuter, Instrumental, Plural; agrees with kriyā-...-ātmabhiḥ (instrumental plural)

Suta Goswami

Tattva Level: pashu

Shiva Form: Dakṣiṇāmūrti

Significance: Maps the sādhana-mārga as a ladder culminating in jñāna; pilgrimage and temple-kriyā are implied as early supports (kriyā) but not localized to a Jyotirliṅga.

Type: stotra

Role: teaching

S
Shiva

FAQs

It outlines a graded Shaiva sādhana where the seeker matures from outer observance (kriyā) to inner absorption (dhyāna) and finally to liberating knowledge (jñāna) that reveals Pati (Shiva) as the supreme reality who frees the bound soul (paśu) from bondage (pāśa).

It supports Linga/Saguna worship as the starting strength of the path (kriyā), which purifies the devotee; as purification deepens, worship naturally becomes mantra-centered (japa), contemplative (dhyāna), and culminates in direct insight (jñāna) into Shiva beyond form.

Adopt a sequential practice: perform Shiva-pūjā (kriyā) with disciplined living (tapas), then steady Panchakshara mantra japa (“Om Namaḥ Śivāya”), followed by meditative contemplation on Shiva (dhyāna), aiming for clear knowledge of Shiva’s presence as the inner Lord (jñāna).