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Shiva Purana — Vayaviya Samhita, Shloka 10

रुद्राविर्भावकारणम् — Causes and Pattern of Rudra’s Manifestation

Pratikalpa

भग्नदंष्ट्रांकुराक्रान्तप्रान्तकान्तधराधरः । सव्यश्रवणपार्श्वांतमंडलीकृतकुण्डलः

bhagnadaṃṣṭrāṃkurākrāntaprāntakāntadharādharaḥ | savyaśravaṇapārśvāṃtamaṃḍalīkṛtakuṇḍalaḥ

Son beau cou, pareil à une montagne, portait aux bords les marques de la pression de pointes de défenses brisées ; et près de son oreille gauche, son anneau d’oreille s’était enroulé en un cercle.

bhagna-daṃṣṭrā-aṃkura-ākrānta-prānta-kānta-dharādharaḥmountain-like (one) whose lovely extremities are seized by sprouts of broken tusks
bhagna-daṃṣṭrā-aṃkura-ākrānta-prānta-kānta-dharādharaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbhagna (कृदन्त; √bhaj/भञ्ज्) + daṃṣṭrā (प्रातिपदिक) + aṃkura (प्रातिपदिक) + ākrānta (कृदन्त; ā-√kram) + prānta (प्रातिपदिक) + kānta (प्रातिपदिक) + dharādhara (प्रातिपदिक)
Formबहुव्रीहिः, पुंलिङ्गे प्रथमा, एकवचन; ‘भग्न-दंष्ट्रा-अङ्कुरैः आक्रान्तः प्रान्तः (यस्य) सः; कान्तः धराधरः (पर्वत-तुल्यः)’—descriptive epithet
savya-śravaṇa-pārśva-anta-maṃḍalīkṛta-kuṇḍalaḥwhose earring is coiled into a circle at the end of the left ear-side
savya-śravaṇa-pārśva-anta-maṃḍalīkṛta-kuṇḍalaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsavya (प्रातिपदिक) + śravaṇa (प्रातिपदिक) + pārśva (प्रातिपदिक) + anta (प्रातिपदिक) + maṃḍalīkṛta (कृदन्त; maṃḍalī-√kṛ) + kuṇḍala (प्रातिपदिक)
Formबहुव्रीहिः, पुंलिङ्गे प्रथमा, एकवचन; ‘सव्य-श्रवण-पार्श्व-अन्ते मण्डलीकृतं कुण्डलं यस्य’

Suta Goswami

Tattva Level: pati

Shiva Form: Gajasamhāramūrti

Type: stotra

S
Shiva

FAQs

It supports saguna-dhyāna: the mind is steadied by contemplating Shiva’s auspicious, vividly described form, which in Shaiva Siddhanta becomes a doorway to realizing Pati (the Lord) beyond bondage.

While Linga worship points to Shiva’s transcendent reality, such iconographic verses legitimize personal-form devotion (saguna upāsanā), helping devotees fix attention and offer bhakti that matures into inner realization.

Practice Shiva-dhyāna alongside japa of the Panchakshara ("Om Namaḥ Śivāya"), visualizing Shiva’s ornaments and serene presence; this complements Linga-pūjā with focused inner worship.