Shiva Purana — Rudra Samhita, Shloka 42
बाणासुरस्य शङ्करस्तुतिः तथा युद्धयाचनम् | Bāṇāsura’s Praise of Śiva and Petition for Battle
अनिरुद्धं विलिखितं प्राद्युम्निं वीक्ष्य लज्जिता । आसीदवाङ्मुखी चोषा हृदये हर्षपूरिता
aniruddhaṃ vilikhitaṃ prādyumniṃ vīkṣya lajjitā | āsīdavāṅmukhī coṣā hṛdaye harṣapūritā
Voyant le portrait d’Aniruddha dessiné par Pradyumna, Uṣā fut saisie de pudeur. Le visage baissé, les mots lui manquant, elle demeura le cœur intérieurement comblé de joie.
Suta Goswami (narrating to the sages of Naimisharanya)
Tattva Level: pashu
Shakti Form: Pārvatī
Role: nurturing
FAQs
It portrays the inner movement of the heart—when attraction arises, the outer senses grow quiet while the mind becomes intensely focused. In Shaiva thought, such emotions are part of worldly bondage (pāśa) unless refined through dharma and ultimately offered to the Lord as disciplined devotion.
Though the scene is narrative, it echoes a key principle of saguna-upāsanā: the mind naturally fixes on a form (ākāra). Shiva-linga worship similarly trains attention—turning ordinary fixation into sacred contemplation, gradually leading the seeker from form-based devotion toward inner purity.
A practical takeaway is sense-restraint (indriya-nigraha) and inward recollection: steady the mind with japa of the Panchākṣarī “Om Namaḥ Śivāya,” and cultivate calm awareness so emotions become purified rather than impulsive.