देवीयोगनिद्रास्तुतिḥ तथा चण्डिकायाः प्रादुर्भावः | Hymn to Devī Yogānidrā and the Manifestation of Caṇḍikā
शरदिंद्वानना शुभ्रचन्द्रभाला त्रिलोचना । सर्वावयवरम्या च कमलांघ्रिनखद्युतिः
śaradiṃdvānanā śubhracandrabhālā trilocanā | sarvāvayavaramyā ca kamalāṃghrinakhadyutiḥ
Son visage était tel la lune d’automne ; son front brillait comme un croissant immaculé. Elle avait trois yeux, charmante en chacun de ses membres, et l’éclat des ongles de ses pieds de lotus rayonnait vivement.
Sūta Gosvāmin (narrating to the sages at Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Umāpati
Shakti Form: Gaurī
Role: nurturing
Offering: dipa
The verse presents Satī’s auspicious, luminous form as a support for devotion (bhakti) and contemplation, teaching that the Divine Mother’s beauty is not merely aesthetic but a revelation of purity, grace, and śakti that leads the mind toward Shiva-consciousness.
In Shaiva tradition, Saguna worship includes reverence to Shiva together with Śakti; praising Satī’s form complements Linga worship by affirming Shiva as Pati (Lord) and Satī/Parvatī as His inseparable power, making devotion complete and inwardly transformative.
A simple dhyāna practice is implied: visualize the Goddess with moonlike face and three eyes, then offer mental worship (mānasa-pūjā) while repeating “Om Namaḥ Śivāya,” cultivating purity and one-pointed devotion.