Shloka 14
दुर्गोपवीत-रचना तथा शिवामलङ्कारोत्सवः | The Making of the Durgopavīta and Pārvatī’s Auspicious Adornment Festival
गर्ग उवाच । हिमाचल धराधीश स्वामिन् कालीपतिः प्रभो । पाणिग्रहार्थं शंभुं चानय त्वं निजमंदिरम्
garga uvāca | himācala dharādhīśa svāmin kālīpatiḥ prabho | pāṇigrahārthaṃ śaṃbhuṃ cānaya tvaṃ nijamaṃdiram
Garga dit : «Ô Himācala, seigneur des montagnes, maître souverain et glorieux—toi qui es destiné à être l’époux de Kālī—amène Śambhu dans ton palais pour le rite de la prise de la main (mariage).»
Garga (sage)
Tattva Level: pati
Shiva Form: Umāpati
Shakti Form: Kālī
Role: liberating
FAQs
The verse highlights dharmic order: even the supreme Pati (Śiva) participates in sacred rites, showing that worldly samskāras, when aligned with devotion, can become a vehicle for grace and auspiciousness.
Here Śiva is addressed personally as Śambhu and as the destined consort of the Goddess—an explicitly saguna (personal) context. Such narratives support bhakti-oriented worship where the devotee approaches Śiva as a living, gracious Lord, which can complement Linga worship as His sacred presence.
The verse points to honoring dharma through samskāras; a practical takeaway is to sanctify marriage and household life with Śiva-bhakti—e.g., daily japa of the Pañcākṣarī (“Om Namaḥ Śivāya”) and worship of Śiva before major rites.