Shloka 19
लङ्कादर्शनम्
Viewing Laṅkā and its Forest-Gardens
शिखरंतत्त्रिकूटस्यप्रांशुचैकंदिविस्पृशम् ।समन्तात्पुष्पसंञ्छन्नंमहारजतसन्निभम् ।।6.39.18।।शतयोजनविस्तीर्णंविमलंचारुदर्शनम् ।श्लक्ष्णंश्रीमन्महच्छैवदुष्प्रापंशकुनैरपि ।।6.39.19।।मनसाऽपिदुरारोहंकिंपुनःकर्मणाजनैः ।
śikharaṃ tat trikūṭasya prāṃśu caikaṃ divispṛśam |
samantāt puṣpa-saṃchannaṃ mahārajata-sannibham ||6.39.18||
śatayojana-vistīrṇaṃ vimalaṃ cāru-darśanam |
ślakṣṇaṃ śrīman mahac caiva duṣprāpaṃ śakunair api ||6.39.19||
manasā 'pi durārohaṃ kiṃ punaḥ karmaṇā janaiḥ |
Ce sommet unique et très élevé du Trikūṭa s’élevait comme s’il touchait le ciel—couvert de fleurs de toutes parts et luisant tel l’argent éclatant. S’étendant sur cent yojanas, il était pur, beau à contempler, lisse et splendide; difficile à atteindre même pour les oiseaux—difficile à gravir même par la pensée, à plus forte raison par l’effort des hommes.
Trikuta peak was fully covered with flowers, sparkled with gold, spread over a hundred yojanas, beautiful to look at, splendid and smooth. It is difficult even for birds to reach, for sages even in thought and difficult to access by any physical action. It is praiseworthy as if touching the sky alone.
FAQs
The verse frames Laṅkā’s setting with awe: dharma recognizes the difference between outer splendor and inner righteousness—magnificence of place does not justify adharma in its ruler.
The poem pauses to describe Trikūṭa’s immense, radiant, nearly inaccessible peak, establishing the formidable terrain associated with Laṅkā.
Not a personal virtue, but the narrative quality of vismaya (wonder) that prepares the audience for the scale of the conflict and the challenge ahead.