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Shloka 16

The Greatness of the Hymn to Tulasī

गुणानां परिमाणं तु कल्पकोटिशतैरपि । कृष्णानंदात्समुद्भूता क्षीरोदमथनोद्यमे

guṇānāṃ parimāṇaṃ tu kalpakoṭiśatairapi | kṛṣṇānaṃdātsamudbhūtā kṣīrodamathanodyame

Même au bout de centaines de crores de kalpas, la mesure entière de ces qualités ne s’épuise pas; elles jaillirent de la béatitude de Kṛṣṇa lors de l’entreprise du barattage de l’Océan de Lait.

गुणानाम्of the qualities
गुणानाम्:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootगुण (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), बहुवचन; Genitive plural
परिमाणम्measure, extent
परिमाणम्:
Karma (कर्म/Object)
TypeNoun
Rootपरिमाण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/प्रथमा or 2nd/द्वितीया), एकवचन; Nom/Acc singular
तुbut, indeed
तु:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात/particle (contrast/emphasis)
कल्प-कोटि-शतैःby hundreds of crores of kalpas
कल्प-कोटि-शतैः:
Karana (करण/Instrument)
TypeNoun
Rootकल्प (प्रातिपदिक) + कोटि (प्रातिपदिक) + शत (प्रातिपदिक)
Formनपुंसकलिङ्ग (शत-शब्दानुसार), तृतीया (3rd/तृतीया), बहुवचन; Instrumental plural; समासः षष्ठी/तत्पुरुष (कल्पानां कोटयः, तासां शतानि)
अपिeven, also
अपि:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; निपात/particle (also/even)
कृष्ण-आनन्दात्from Krishna’s bliss
कृष्ण-आनन्दात्:
Apadana (अपादान/Ablative source)
TypeNoun
Rootकृष्ण (प्रातिपदिक) + आनन्द (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/पञ्चमी), एकवचन; Ablative singular; समासः षष्ठी-तत्पुरुष (कृष्णस्य आनन्दः)
समुद्भूताarisen, produced
समुद्भूता:
Karta (कर्ता/Subject—describing the subject)
TypeVerb
Rootसम्-उद्-भू (धातु)
Formकृदन्तः—क्त (past passive participle); स्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; PPP ‘arisen/produced’
क्षीर-उद-मथन-उद्यमेin the undertaking of churning the Milk Ocean
क्षीर-उद-मथन-उद्यमे:
Adhikarana (अधिकरण/Locative)
TypeNoun
Rootक्षीर (प्रातिपदिक) + उद (प्रातिपदिक) + मथन (प्रातिपदिक) + उद्यम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; Locative singular; समासः बहु-तत्पुरुष (क्षीरोदस्य मथनस्य उद्यमे)

Unspecified (context-dependent within Adhyaya 61)

Concept: The Lord’s qualities are inexhaustible—even time measured in countless kalpas cannot finish describing them; they manifest from Kṛṣṇa’s bliss in cosmic acts like the churning of the Milk Ocean.

Application: When devotion feels repetitive, remember the divine is inexhaustible; approach worship as ever-fresh contemplation of limitless qualities; let awe renew practice.

Primary Rasa: adbhuta

Secondary Rasa: vira

Type: celestial_realm

Visual Art Cues: {"scene_description":"The Milk Ocean roars under a star-strewn sky as Mount Mandara turns like a cosmic spindle, the serpent Vāsuki stretched as the churning rope between devas and asuras. At the center, Kṛṣṇa-Vishnu radiates serene bliss, his calm smile contrasting the titanic effort—waves glittering with emerging treasures and amṛta-light.","primary_figures":["Kṛṣṇa/Vishnu","Devas","Asuras","Vāsuki (serpent)","Mount Mandara","Kurma (tortoise incarnation, if included as support)"],"setting":"Cosmic ocean horizon with swirling foam, celestial clouds, and emerging jewels; devas and asuras on opposing shores or platforms pulling the serpent.","lighting_mood":"divine radiance","color_palette":["deep ocean teal","amṛta silver","celestial gold","storm-cloud indigo","coral orange"],"tanjore_prompt":"Tanjore painting style: central Vishnu/Kṛṣṇa with gold-leaf halo above the churning scene, Mandara mountain richly ornamented, Vāsuki rendered with embossed gold scales; devas and asuras in symmetrical rows, gem-studded crowns, dramatic yet iconically ordered composition with lavish gold leaf highlights on foam and treasures.","pahari_prompt":"Pahari miniature style: dynamic swirling ocean rendered with fine lines, Mandara mountain delicately shaded, expressive yet refined faces of devas/asuras; cool palette with silver highlights, lyrical clouds, subtle depiction of emerging treasures; Vishnu calm and luminous at center.","kerala_mural_prompt":"Kerala mural style: bold outlines and rhythmic forms—Mandara as a stylized pillar, Vāsuki as a patterned band, devas/asuras in iconic poses; Vishnu’s serene face and large eyes dominate, red/yellow/green pigments with strong contrast and temple-wall grandeur.","pichwai_prompt":"Pichwai cloth painting style: Krishna-centered cosmic līlā with ornate floral borders; the churning scene stylized into circular mandala-like motion, lotuses and peacocks framing the ocean, deep blues and gold; repeated motifs of emerging kalasha and jewels integrated into decorative patterning."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunderous waves","conch shell","drums (mṛdaṅga)","wind","chanting chorus"]}

Sandhi Resolution Notes: कल्पकोटिशतैरपि = कल्प-कोटि-शतैः + अपि; कृष्णानंदात् = कृष्ण-आनन्दात्; समुद्भूता = सम्+उद्+भू (क्त); क्षीरोदमथनोद्यमे = क्षीर-उद-मथन-उद्यमे (समास)

K
Kṛṣṇa
K
Kṣīroda (Milk Ocean)
S
Samudra-manthana (Churning of the Ocean)

FAQs

It says that Kṛṣṇa’s qualities are immeasurable—even vast cosmic time cannot fully quantify them—and links their manifestation to the divine context of the Milk Ocean churning.

To express theological infinity: even unimaginably long spans of cosmic time are insufficient to measure the extent of the Lord’s attributes.

By portraying Kṛṣṇa’s bliss as the source of wondrous outcomes in cosmic events, it frames devotion as engagement with an inexhaustible, transcendent divine personality rather than a limited principle.