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Shloka 140176

Brahmā’s Lotus-Birth, Puṣkara-Creation Imagery, Madhu–Kaiṭabha, and Early Genealogies

शोभितं त्रासनीयैश्च तोमरैः सपरश्वधैः । उद्यतं द्विषतां हेतोर्द्वितीयमिव मंदरम्

śobhitaṃ trāsanīyaiśca tomaraiḥ saparaśvadhaiḥ | udyataṃ dviṣatāṃ hetordvitīyamiva maṃdaram

Orné d’armes terrifiantes—javelots et haches—et dressé pour l’anéantissement des ennemis, il se tenait tel un second mont Mandara.

śobhitamadorned
śobhitam:
Karma (Object/कर्म)
TypeAdjective
Root√śubh (धातु) + क्त (भूतकर्मणि कृदन्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; क्त-प्रत्ययान्त (adorned)
trāsanīyaiḥterrifying
trāsanīyaiḥ:
Karana (Instrument/करण)
TypeAdjective
Roottrāsanīya (√tras, णीय) (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; विशेषणम् (tomaraiḥ इत्यस्य)
caand
ca:
Samuccaya (Coordination/समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-बोधक-अव्यय (conjunction)
tomaraiḥwith javelins
tomaraiḥ:
Karana (Instrument/करण)
TypeNoun
Roottomara (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
saparaśvadhaiḥtogether with axes
saparaśvadhaiḥ:
Karana (Instrument/करण)
TypeAdjective
Rootsa + paraśvadha (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समासः—अव्ययीभावः (स- = 'सहित' अर्थे)
udyatamraised / poised
udyatam:
Karma (Object/कर्म)
TypeAdjective
Rootudyata (ud-√yam, क्त) (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; ‘उद्’ उपसर्गपूर्वक क्त-प्रत्ययान्त (raised/ready)
dviṣatāmof enemies
dviṣatām:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootdviṣat (√dviṣ, शतृ) (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, बहुवचन; शतृ-प्रत्ययान्त-प्रातिपदिक (enemies)
hetoḥfor the sake/cause
hetoḥ:
Prayojana (Purpose/प्रयोजन)
TypeNoun
Roothetu (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, एकवचन; प्रयोजन/कारणार्थे षष्ठी (genitive of purpose)
dvitīyama second
dvitīyam:
Upamāna/Viśeṣaṇa (Qualifier)
TypeAdjective
Rootdvitīya (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; विशेषणम् (maṃdaram इत्यस्य)
ivalike
iva:
Upamā (Simile marker/उपमा)
TypeIndeclinable
Rootiva (अव्यय)
Formउपमा-वाचक-अव्यय
maṃdaramMandara mountain
maṃdaram:
Upamāna (Standard of comparison/उपमान)
TypeNoun
Rootmaṃdara (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन

Unspecified (narrative description within Sṛṣṭikhaṇḍa context; speaker not identifiable from the single verse)

Concept: Forces raised ‘to destroy enemies’ can mimic sacred cosmic instruments (Mandara), but intention determines sanctity: dharma uplifts, adharma weaponizes.

Application: Before using strength (authority, speech, influence), examine motive: is it protection and service, or mere conquest? Align power with compassion and duty.

Primary Rasa: vira

Secondary Rasa: raudra

Type: mountain

Visual Art Cues: {"scene_description":"A towering, weapon-studded mass is hoisted high like a second Mount Mandara, its surface glittering with raised javelins and axes. The air around it vibrates with threat—an engineered mountain of war—casting a long shadow as it is lifted to annihilate foes.","primary_figures":["Aṁśumān (optional)","Weapon-bearing guardians (optional)"],"setting":"Cosmic battlefield with Meru/Mandara-scale mountains; swirling clouds and dust; distant devas/asuras as tiny silhouettes.","lighting_mood":"golden dawn","color_palette":["sunlit gold","blood red","dark teal","iron gray","smoke brown"],"tanjore_prompt":"Tanjore painting style: A colossal ‘second Mandara’ raised aloft, bristling with tomara javelins and paraśvadha axes; heavy gold-leaf embossing on weapon edges and mountain contours, rich crimson and emerald textiles on any figures, gem-studded ornaments, symmetrical South Indian devotional framing despite the martial theme.","pahari_prompt":"Pahari miniature style: A lyrical yet intense scene of a mountain-like weapon mass being lifted, delicate brushwork on axes and javelins, cool mountain air with warm dawn light, refined faces for any figures, layered Himalayan-style clouds and ridgelines to suggest Mandara’s scale.","kerala_mural_prompt":"Kerala mural style: Monumental raised mountain-form with repeating weapon motifs, bold outlines, stylized axes and javelins, dramatic posture of lifting; natural pigments with dominant reds/yellows/greens, temple-wall composition emphasizing heroic menace.","pichwai_prompt":"Pichwai cloth painting style: Central towering Mandara-like form adorned with patterned weapon motifs, ornate floral borders and lotus medallions; deep blue background with gold highlights; peacocks and stylized clouds at margins, Nathdwara textile intricacy applied to a cosmic martial tableau."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["war drums","conch shell","metallic shimmer","wind roar","temple bells"]}

Sandhi Resolution Notes: त्रासनीयैश्च = त्रासनीयैः + च. सपरश्वधैः = स + परश्वधैः. हेतोर्द्वितीयमिव = हेतोः + द्वितीयम् + इव (सन्धिः).

M
Mandara (Mount Mandara)

FAQs

Mandara functions as a literary benchmark for immense size and steadfast presence; the object described is compared to Mandara to convey towering, formidable power.

Tomara refers to a javelin/spear-like weapon, while paraśvadha denotes an axe; together they emphasize a fearsome, battle-ready setting.

The verse emphasizes preparedness and formidable strength directed toward overcoming hostile forces (dviṣatām), using vivid martial imagery rather than explicit moral instruction.