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Shloka 44

The Procedure for the Consecration of a Pond

ततश्चावसरप्राप्ते शुद्धे लग्ने सुशोभने । वेदशब्दैः सगंधर्वैर्वाद्यैश्च विविधैः पुनः

tataścāvasaraprāpte śuddhe lagne suśobhane | vedaśabdaiḥ sagaṃdharvairvādyaiśca vividhaiḥ punaḥ

Alors, lorsque l’instant propice fut venu—sous un ascendant pur et splendide—retentirent de nouveau les récitations védiques, accompagnées des Gandharvas et de maints instruments de musique.

ततःthen
ततः:
Kriyavisheshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अनुक्रम (thereafter)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक (and)
अवसर-प्राप्तेwhen the occasion has arrived
अवसर-प्राप्ते:
Adhikarana (Temporal/अधिकरण)
TypeAdjective
Rootअवसर (प्रातिपदिक) + प्राप्त (प्रातिपदिक; प्र + √आप् क्त)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th), एकवचन; विशेषण; समासः—तत्पुरुष (अवसरं प्राप्ते = when the occasion has arrived)
शुद्धेpure
शुद्धे:
Visheshana (Adjectival/विशेषण)
TypeAdjective
Rootशुद्ध (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th), एकवचन; विशेषण (qualifying लग्ने)
लग्नेat the auspicious time (lagna)
लग्ने:
Adhikarana (Location/Time/अधिकरण)
TypeNoun
Rootलग्न (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; अधिकरण (at the auspicious moment)
सु-शोभनेvery splendid
सु-शोभने:
Visheshana (Adjectival/विशेषण)
TypeAdjective
Rootसु (उपसर्ग/अव्यय) + शोभन (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th), एकवचन; विशेषण; कर्मधारय (very beautiful)
वेद-शब्दैःwith Vedic sounds (chants)
वेद-शब्दैः:
Karana (Instrument/करण)
TypeNoun
Rootवेद (प्रातिपदिक) + शब्द (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; करण; समासः—तत्पुरुष (वेदानां शब्दैः = with Vedic sounds/recitations)
स-गन्धर्वैःtogether with gandharvas
स-गन्धर्वैः:
Karana (Instrument/सहकारक)
TypeNoun
Rootस (अव्यय; सहार्थक) + गन्धर्व (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन; करण; अव्ययीभाव (गन्धर्वैः सह = together with gandharvas/singers)
वाद्यैःwith musical instruments
वाद्यैः:
Karana (Instrument/करण)
TypeNoun
Rootवाद्य (प्रातिपदिक; √वद्/√वाद् यत्)
Formनपुंसकलिङ्ग, तृतीया (3rd), बहुवचन; करण (with instruments)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक
विविधैःvarious
विविधैः:
Visheshana (Adjectival/विशेषण)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd), बहुवचन; विशेषण (qualifying वाद्यैः etc.)
पुनःagain/further
पुनः:
Kriyavisheshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootपुनः (अव्यय)
Formअव्यय; पुनरुक्ति/अनुक्रम

Narrator (context not specified in the provided excerpt)

Concept: Ritual acts gain potency when performed at an auspicious time with purity, Vedic recitation, and harmonious sacred music.

Application: Choose good timing for important vows and worship; cultivate ‘inner lagna’—clarity, cleanliness, and right intention—so your actions resonate like mantra with music.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"At the exact auspicious ascendant, the ritual pavilion brightens as if the air itself turns crystalline. Priests chant Vedic hymns while unseen Gandharvas fill the sky with music; drums, vīṇā, and cymbals answer the mantras, creating a layered tapestry of sacred sound.","primary_figures":["Vedic priests","Gandharvas","ritual patron (yajamāna)","musicians"],"setting":"ornamented yajña pavilion with banners, fire altar, and open sky above for celestial musicians","lighting_mood":"divine radiance","color_palette":["radiant gold","sky blue","vermillion","white jasmine","bronze"],"tanjore_prompt":"Tanjore painting style: a grand ritual pavilion at an auspicious lagna, priests chanting with palm-leaf texts, celestial Gandharvas above playing vīṇā and mṛdaṅga; heavy gold leaf on instruments and halos, rich reds/greens, jeweled ornaments, symmetrical temple-arch framing.","pahari_prompt":"Pahari miniature style: airy composition with delicate clouds where Gandharvas hover, fine brushwork on instruments, priests below in calm concentration; cool blues and soft gold highlights, refined faces, lyrical movement in banners and incense smoke.","kerala_mural_prompt":"Kerala mural style: iconic Gandharvas in the upper register with bold outlines, priests and altar below, rhythmic repetition of instruments; natural pigment palette with strong reds/yellows/greens, temple-wall narrative bands.","pichwai_prompt":"Pichwai cloth painting style: celebratory sacred-music scene framed by ornate floral borders, layered patterns suggesting mantra vibrations, peacocks and lotuses around the pavilion, deep indigo ground with gold and white detailing, emphasis on rhythmic symmetry."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["Vedic chanting","vīṇā resonance","mṛdaṅga and cymbals","conch shell","temple bells"]}

Sandhi Resolution Notes: ततश्चावसरप्राप्ते = ततः + च + अवसर-प्राप्ते; सगंधर्वैः = स-गन्धर्वैः; गंधर्वैर्वाद्यैश्च = गन्धर्वैः + वाद्यैः + च (विसर्ग/रेफ-सन्धि).

G
Gandharvas
V
Vedas

FAQs

It indicates that the event is performed at a ritually and astrologically favorable moment (lagna), emphasizing correctness of timing for sacred or ceremonial acts.

Gandharvas are celestial musicians; their presence frames the scene as a divine celebration where sacred sound (Vedic chanting) and music together mark an auspicious occasion.

It underscores reverence for sacred order: choosing a proper time and sanctifying an event through Vedic sound and disciplined celebration.