Shloka 6
Marks of the Debt-Bound/Enemy Son, Filial Dharma, Detachment, and the Durvāsā–Dharma Episode
द्रावकस्त्रासकश्चैव बहुनिष्ठुरजल्पकः । एवं भुक्त्वाथ तद्द्रव्यं सुखेन परितिष्ठति
drāvakastrāsakaścaiva bahuniṣṭhurajalpakaḥ | evaṃ bhuktvātha taddravyaṃ sukhena paritiṣṭhati
Celui qui extorque, qui terrorise et profère maintes paroles dures—ayant ainsi joui de ces biens mal acquis, il demeure ensuite dans l’aisance.
Unspecified (verse excerpt without surrounding narrative context)
Concept: Ill-gotten wealth can create an appearance of ease, but it is rooted in himsā and pāpa; harsh speech and intimidation are themselves karmic violence.
Application: Refuse coercive gain; audit one’s livelihood for intimidation or verbal cruelty; practice gentle speech and fair exchange even when power allows otherwise.
Primary Rasa: bibhatsa
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A stern, well-fed extortioner sits on a raised seat counting coins while frightened villagers stand below, heads bowed. His words appear as sharp, dark strokes in the air, while the victims’ faces show silent dread; the room is orderly yet spiritually suffocating.","primary_figures":["extortioner","intimidated householders/villagers"],"setting":"a local revenue hall or wealthy house veranda with account scrolls, coin piles, and a guarded doorway","lighting_mood":"temple lamp-lit","color_palette":["tarnished gold","charcoal black","dusty beige","deep maroon","olive green"],"tanjore_prompt":"Tanjore painting style: an opulent yet morally tense scene—an extortioner on a throne-like seat counting gold coins, frightened villagers offering bundles; gold leaf on coins and jewelry, rich red-green drapery, ornate pillars, a small neglected tulasi pot in the corner to hint at lost devotion.","pahari_prompt":"Pahari miniature style: refined interior with delicate textiles—extortioner with sharp gaze, victims in pale garments; subtle psychological tension, cool shadows, fine detailing of scrolls and coin stacks, distant window showing a calm landscape contrasting inner cruelty.","kerala_mural_prompt":"Kerala mural style: bold, iconic figures—central oppressor with exaggerated eyes and harsh mouth, victims clustered; earthy reds and yellows with green borders, stylized architecture, symbolic dark aura around harsh speech.","pichwai_prompt":"Pichwai cloth painting style: allegorical composition framed by lotus borders—wealth piles rendered as decorative motifs; peacocks and floral patterns contrast with the human fear, deep blue ground with gold highlights, a small Krishna icon turned away to signify adharma."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["coin clinks (subtle)","distant conch shell","silence"]}
Sandhi Resolution Notes: द्रावकस्त्रासकश्चैव = द्रावकः त्रासकः च एव; बहुनिष्ठुरजल्पकः = बहु-निष्ठुर-जल्पकः (समास); भुक्त्वाथ = भुक्त्वा अथ; तद्द्रव्यं = तत् द्रव्यम् (समास/सन्धि)
FAQs
No. It describes the outward result—wrongdoers may appear to prosper—often as a setup for later verses explaining karmic consequence and moral accountability.
Extortion (drāvakā), intimidation or terrorizing others (trāsaka), and habitual harsh/cruel speech (bahuniṣṭhurajalpakaḥ).
Worldly ease can be obtained even by unethical means, so comfort alone is not a sign of righteousness; one should evaluate wealth and success by dharma, not appearances.