Narada Purana — Purva Bhaga, Shloka 55
The Description of the Four Durgā Mantras
भालभ्रूमध्यवदने घंटिकाकण्ठहृत्सु च । नाभ्यधिष्ठानयोः पञ्च ताराद्याः सुभगादिकाः ॥ ५५ ॥
bhālabhrūmadhyavadane ghaṃṭikākaṇṭhahṛtsu ca | nābhyadhiṣṭhānayoḥ pañca tārādyāḥ subhagādikāḥ || 55 ||
Au front, entre les sourcils et sur le visage; de même à la luette (la « petite cloche »), à la gorge et au cœur; et encore au nombril et à la base pelvienne (adhiṣṭhāna) : s’y trouvent cinq puissances, commençant par Tārā, avec d’autres telles que Subhagā.
Narada (teaching in a Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It presents an internalized ritual model: sacred powers/vidyās are contemplated as residing in specific bodily seats, turning worship into an inward practice (antar-yāga) rather than only an external rite.
By assigning sacred presences to the forehead, heart, throat, and other centres, the verse supports devotional recollection (smaraṇa) throughout the body—especially heart-centred devotion—so the practitioner’s whole being becomes an offering.
It aligns with technical ritual methodology used in mantra practice—especially nyāsa (placing mantras/śaktis on body locations) and disciplined recitation—topics commonly treated alongside Vedāṅga-style procedural precision.